Can’t See the Forest for the Trees Dept: Martha Thomases, co-creator of Dakota North for Marvel Comics, analyzes something we didn’t even notice: The increasing abundance of “shit” on TV. (No, we’re not talking quality here, we’re talking “shit.” Wait, that didn’t come out right either. Uh-oh, neither did that…)
Martha Thomases Is Talking Dirty – by Martha Thomases
They say “shit” on cable now. And “ass.”read article
…No, no, not because there was any confusion (there wasn’t.) But because, or so it seems, he just wanted to express his feelings. (Hey, Duff’s a modern kinda guy, you know what we’re saying?)
Kyra closes, and her character seems to almost get it…at last!
Whatever the reason, this is exactly the kind of info new writers, trying to get insight into how the series process works, need to know, which makes us very glad to be able to present:
The Closer Finale Postmortem: Creator James Duff Talks Brenda’s Final Confession – by Adam Bryantread article
Full disclosure—I’m not a fan of Spider-man. Not because I’m arachnophobic. I don’t mind spiders at all. Spider-man simply wasn’t one of my go-to superheroes. You know how you don’t like something just because? That would be me and Spider-man.
Now I’m a little more partial to the crawly dude since I saw THE AMAZING SPIDER-MAN. Overall I found the movie enjoyable. The cast was good, the CGI wasn’t overwhelming or obvious, and as with all Marvel movies of late, the sequel set-up was there and not too ham-fisted. I might even watch this movie again, which I can’t say about too many other films.
And yet, there are a few nits to pick. The main one is the issue of backstory, aka the writer’s bane. How much previous information is too much? How to decide what is germane to the story you’re trying to tell? If you leave anything out, will the audience be confused? If you add more than you need, will the audience be bored?read article