by John Ostrander
I was not always a big fan of Westerns. My knowledge/memory of them were largely drawn from TV shows of my childhood – and not always the best ones. They were dominated by The Lone Ranger, Roy Rogers, Gene Autry (although I was never a big Autry fan) and shows like them. Westerns dominated TV in those days in ways that I don’t think any genre dominates any more.
It was my late wife, Kimberly Yale, who really schooled me in movie Westerns and the difference between a John Ford Western, ones by Howard Hawks, and Budd Boetticher’s Westerns. I finally learned and grasped what powerful movies they were, Just a few years ago, I got to see John Ford’s masterpiece The Searchers on the big screen and it was only then that I really understood how powerful it was and why its star, John Wayne, was such an icon. In the close-ups, where Wayne’s face is two stories high, he seems like a figure off Mount Rushmore. And the famous final shot, where his character is framed by a closing door, is haunting. It’s also interesting to note that both here and in Howard Hawks’ Red River he plays something of a bastard.
It’s only been in recent years that I’ve returned to some of the Western TV shows and rediscovered them. What I discovered was some very good writing and acting, especially in the half hour shows.Have Gun, Will Travel, starring Richard Boone, featured him as a traveling gunslinger, Paladin, and a memorable and haunting title song. Wanted: Dead or Alive starred a young Steve McQueen right around the time that he broke out in films in The Magnificent Seven.
by Molly Hannon
