If you qualify for this project, this is a hell of an opportunity. Definitely worth checking out for writers with the required relationship to the Writers Guild of America West.
Sounds awkward, yeah, but keep reading and you’ll understand:read article
In case you’ve been wondering whether or not Apple’s push into TV is real, here’s what those crazy, zany gearheads have in store for us so far:
Apple’s TV Programming, a Comprehensive Guide
by Lesley Goldberg
Since tapping Sony’s Zack Van Amburg and Jamie Erlicht to lead worldwide video programming over a year ago, Apple has been on a spending spree for high-end TV series. Meanwhile, Apple’s plans for how — and when — it will to roll out its star-studded content remain shrouded in mystery.read article
Just when you thought it was safe to embrace the newest tech:
How Canadian-made artificial intelligence is helping Hollywood write better scripts
by Dianne Buckner
Movie theatres, as usual, are jam-packed with sequels this summer.
Hollywood is addicted to sequels for one reason: A proven concept can reduce the risk of failure in a business where hundreds of millions of dollars are at stake.read article
True? False? What do you think? Seriously, we’re asking for your opinion here, so fire away.
by Alison Flood
As Arya Stark watches from the crowd, tears streaming, King Joffrey toys with her father Ned Stark before executing him in front of a baying crowd. This scene from Game of Thrones is harrowing in any medium – but a new University College London study has found that audiobooks are more “emotionally engaging” than film and television adaptations.
UCL, in collaboration with audiobook giant Audible, measured the physical reactions of 102 participants aged between 18 and 67 to audio and video depictions of scenes from books including A Game of Thrones, The Girl on the Train and Great Expectations. The scenes were chosen based on their “emotional intensity”, and for having minimal differences between the audio and video adaptations. For Thomas Harris’s The Silence of the Lambs, participants were shown or played Clarice’s interview with Dr Hannibal Lecter; in Pride and Prejudice, they witnessed Mr Darcy’s successful proposal to Elizabeth Bennet; and in The Hound of the Baskervilles, they heard and saw the first description of the beast.read article