We’ve tried this. (Well, LB’s tried it.) And it works!
by Herbert LuiSo making songs now that I know aren’t going to be heard by anybody else, it is an interesting thing. Because I think you have to do that now as an artist. I really do.
—Donald Glover, Grantland interview
I love TV.
I’ve loved it since the first moment I watched it, way back in 1948.
The show that captured me then was The Texaco Star Theater, starring – and all about, in every possible way – Milton Berle. To my pre-school self, Uncle Miltie was terrifyingly engaging. I couldn’t stop watching…until I discovered The Howdy Doody Show, starring Bob Smith and the puppet called “Howdy,” both of whom were engaging as hell, without the terrifying bits.
…Something for all writers to remember:
When you attempt to envision a writer, I imagine many of you see a quirky recluse, hunched over a desk in some cabin, crumpled paper strewn about as they obsessively work on the next great American novel.
But writing is so much more. Prose is thought put to page, which makes all of us writers—even if we don’t have the chops to tangle with Faulkner. In most cases, writing is most useful as a tool for thinking, expression, and creativity; cabin-dwelling novelists be damned.
In case you’ve missed what’s happening at TVWriter™, the most popular blog posts during the week ending yesterday were:
Kelly Jo Brick: The Write Path with Manager Zadoc Angell, Part 2
I’ve been watching DC’s Legends Of Tomorrow over on the CW. Among the characters that have been appearing on the show are Firestorm and Hawkman and Hawkgirl. Well, not so much Hawkman any more, maybe. I didn’t create those three characters but I certainly played with them a lot and, for a while, left my sticky fingerprints all over them. So it’s interesting watching manifestations of them in other media.
I’ll be experiencing that big time come August when the Suicide Squad movie hits the multiplexes. I created Amanda Waller and I defined characters like Deadshot and Captain Boomerang and it will be exciting to see how they translate for the screen. I hope.
None of the character portrayals will translate directly from the comics to movies or TV. I’m okay with that; none of them have so far. Different media have different needs. That’s why they’re called adaptations. The material is adapted from whatever the source was. My only question about any given adaptation is – how true is it to its roots? Did they get the essence of the character or the concept right? If you’re going to do Captain XYZ Man, there should be a resemblance to what makes up Captain XYZ Man. Right?