Troy DeVolld Tells Us What (Fill in the Blank) is Really Like

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by Troy DeVolld

This year, I’ve given myself a great present for Christmas: A get-out-of-jail-free card when it comes to the recurring question, “What’s (name of reality celebrity) really like?”

Ask anybody who’s met a celebrity exactly once what they think of them, and you’re going to get an absolute answer based on a tiny interaction. That moment eventually crystallizes into a summary “great guy/gal “or “total jerk/bitch” response. That assessment somehow never takes into account the way the celebrity was approached, as the teller/hero of the story, the “toucher of the garment” as it were, always bases their evaluation on how they were received in that moment. Someone I know scared the living hell out of a television actress recently, literally running after her in a parking lot to vomit praise at her. The verdict on return? “What an unfriendly bitch.”

Really? read article

Troy DeVolld Tells Us the Secret of Life (& Showbiz) Success

by Troy DeVolld

Last week, I spent a little time watching the Dodgers lose to the Mets with a couple of guys who are really at the top of their game.  One has had a show on the air for more than two decades, the other was a producer who’d had a great career and finally struck real gold on one of the most successful sitcoms of all time.

Neither one had a thing to prove to anyone. They’ve played the game and won it many times over — but if you subtracted their success, they’d probably still be the two most relaxed, genial guys in the room.

Here’s the takeaway: You’ve got to be that person now, on the way in and on the way up. read article

Troy DeVolld Tells Us the Truth about “Owning” your Reality TV Work

by Troy DeVolld

I spoke a little bit about this to some attendees at Story Expo this past weekend, and it bears posting here.

You’ll often hear reality producers talk about taking “ownership” of their shows.  It’s that satisfying feeling wherein the time and emotional investment you’ve made at the episode or series level feels like it has paid off, and that your voice has come through in the show.wpid-20150911_2209141

What has to be remembered when seeking “ownership” of your work is that ultimately, you have a showrunner, execs, and a network to please.  Your idea of what the show is can be compromised by everything from its bottom line to any one of a host of issues beyond your control. read article