
Good morning! Welcome to another new week at TVWriter™, starting with our latest look at the most popular blog posts and resource pages during the last week.
They are, in order:

Good morning! Welcome to another new week at TVWriter™, starting with our latest look at the most popular blog posts and resource pages during the last week.
They are, in order:

From the producers of Stranger Things and the director of The End of the F***ing World comes a new series based on the Charles Forsman graphic novel.
Cast: Sophia Lillis, Wyatt Oleff, Sofia Bryant, Richard Ellis, Kathleen Rose Perkins & Aidan Wojtak-Hissong

Despite my being an incredibly dramatic person, drama tends to not be my artistic style. I’m a comedy person.
But then I met Colin Hinckley, who loves drama and, specifically, horror. And we decided to write a horror film together called Buy In, a tense character study about capitalism and power and desperation, so when it came time for me, the director, to make decisions about the look of this project, I was more than a little nervous. And then I had a few ideas and then we shot the film and now we’re preparing to release it into the world at the end of a crowdfunding campaign (more on that later, but spoiler alert- we’re 62% funded!).
…I wanted to share some of my directing choices, because I think it was a great educational opportunity for me, a person who prefers fast talking comedies, to learn how to slow things down and use the camera more strategically than normally.

Why should you as a visitor to TVWriter™ be interested in making audio fiction? Why should you be interested in making podcasts? Discoverability, that’s why.
The meaning of the word podcast is evolving to include any episodic, audio-only production whether nonfiction or fiction. Agents and major studios have started trawling through podcasts and their creators for new content and talent.

BLUF*: Patreon. It’s not so scary. Mostly.
*BLUF — Bottom Line Up Front
If you want to make a fiction podcast, setting up a Patreon page is almost de rigueur. Most of the time, especially if you have a small audience, you can make more money with a Patreon account than you can with advertising. Plus you don’t have those obnoxious ads cluttering up your audio masterpiece. You’re not going to get rich, but you might at least be able to pay your cast and crew.