Have you taken time to sit down and consider a logline for your script? Of course you have – presuming you’re writing scripts. And I’d go so far here as to say it’s not a bad idea to consider loglines and how they’re created if you’re a novelist as well. It’s kind of your ‘elevator pitch’.
Everyone is forever in a hurry so I’m going to give some space to what NOT to do when thinking about creating a logline, aka the short pitch if you’re writing other things and want to get a short pithy hook out there to snag an editor or producer.
Producers and Editors are notorious for being in a hurry and expecting a pitch or a logline to grab them all on its own. I don’t blame them really. They’re buried under scripts and manuscripts and meetings and a lot more that we, as writers, don’t think about. Is it so unreasonable to not want to have to slog through even more paper than they already do?