No, we don’t mean the technology. We mean the writing.
by Sarah Fonder
Despite the oft-repeated assertion that this is the Golden Age of Television, TV has typically not been too kind to smart, well-written shows. When a network puts an underdog series like Bunheads or Happy Endings on the cutting board, it’s hard not to go from panic to complete resignation. Too many of us have had to get used to the phrase “brilliant but cancelled,” and for a long time it’s looked like daring television just isn’t all that lucrative. Thankfully, recent reports prove this might finally be changing: believe it or not, critical darlings are actually making money.