That’s it for now. Write in and tell munchilito what you’ve sold today. TVWriter™ can’t wait to brag to all your friends. (And, more importantly, enemies. Hehehe….)
Tag: Greg Garcia
Love & Money Dept – TV Writing Deals for 1/27/13
Latest News About Writers Who Are Doing Better Than We Are
- Robert Padnick (THE OFFICE) is writing an unnamed NBC comedy pilot about what crap dating is for 20-somethings. (Waitaminnit, if even 20-somethings hate dating, then who’s left not to? Kindergarteners?)
- Leslye Headland, (BACHELORETTE) is writing an NBC comedy pilot called ASSISTANCE, about an idealistic assistant trying to lead her own life while dealing with her boss’ needs. (What? She thinks she’s entitled to her own life? Being employed isn’t enough? How unreal can you get?)
- Alex Schemmer (actor – COMMUNITY) is writing yet another NBC comedy pilot, this one about a dood who has a relationship created by his days as a sperm donor. (Ah, Golden Days if we ever heard of them!)
- Greg Garcia (RAISING HOPE)is writing two CBS comedy pilots, SUPER CLYDE, about a meek McDonald’s worker who wants to be a superhero, and a nameless show about a recently divorced man whose parents come to live with him. (We have two words for both these projects: Oy vey!)
Sitcom Showrunners Expound on the Future
…And they sure as hell know a lot more than most TV execs!
The Future of Sitcoms According to the Creators of ‘Parks and Rec,’ ‘Enlightened,’ ‘Don’t Trust the B—’ and ‘Raising Hope’ – by Alison Willmore
Greg Garcia (the creator and executive producer of Fox’s “Raising Hope”), Nahnatchka Khan (the creator and executive producer of ABC’s “Don’t Trust the B— in Apartment 23”), Michael Schur (the co-creator of NBC’s “Parks and Recreation”) and Mike White (the co-creator, co-star and executive producer of HBO’s “Enlightened”) gathered in Manhattan this past weekend for a New Yorker Festival event entitled “The Future of Sitcoms.” While the panel did not, as jokingly promised by moderator Emily Nussbaum, the magazine’s TV critic, come up with a plan for the next stage of comedy during its 90-minute run, it did cover some very interesting ground about how sitcoms are evolving in a way that may be quieter but is no less significant than what’s happening with dramas. Here are some highlights from the event: