@Stareable – Yep, Pre-Production IS a Thing

So You Want To Make a Web Series – Step 7
by Bri Castellini

We’re almost there, folks. Almost to the actual shooting of your web series, with someone calling “action!” and “cut!” and good-looking people bringing your words to life. But we’ve got one more step: pulling together everything you’ve done and everything you’ve gotten during the first six steps of this process and making a plan of action. That’s right, it’s officially pre-production time.

Technically, most of what we’ve talked about so far in this column has been pre-production, since pre-production is literally everything that happens before a camera starts rolling. Semantics. Onward!

LOCATIONS read article

@Stareable – “I’ve got to have contracts for my web series?! Oh nooo!”

So You Want To Make a Web Series – Step 6
by Bri Castellini

Filmmaking, especially at the indie level, is a largely unglamorous process. There are glamorous aspects, of course: hearing your words read aloud and performed by talented actors, the thrill of a well-composed shot that raises the value of the entire project, and your first film festival acceptance email. But this step in the process, focusing on cast and crew contracts, is not one of those. It is, however, one of the most important and vital things you will hate to do.

Stareable recently published a great article from an actual lawyer about all the legal considerations you should keep in mind when writing up contracts. For this column, I, a non-lawyer whose mother really wanted her to be a lawyer, will give you a pragmatic perspective based in experience, not legal expertise.

The first thing you need to know is that, regardless of whether you are paying people, you need a contract signed (and backed up in two places) from every member of your team, even if they only work a single day. read article