Here it is: Part Three of Suzanne Chan’s four-part analysis of diversity, or the lack of it, on our television screens. Dig in:
THE GOOD WIFE
by Suzanne Chan
This is part three of a four-part series about television shows that I recently fell in love with for their premise, overall writing, and visual style. Two are to be celebrated for their diversity. Two could do better.
Part 1 was about the diverse world portrayed in The 100. Part 2 was about The Flash, a show that displays great racial diversity, yet terribly sexist attitudes to female characters.