DOCTOR WHO CHRISTMAS SPECIAL Will Be On The Air On – Wotta Surprise – Christmas Day

Yeppers, the BBC has announced that the DOC’s annual Christmas show will be airing on BBC America December 25th at 9 pm Eastern/10 pm Central Time.

Showrunner Steven-the Moff-Moffat is the writer, and amid the various Christmas-type surprises we’ll also meet the Doctor’s new companion, played by Jenna-Louise Coleman, and renew our acquaintanceship with Silurian Madame Vastra.

Yo, if that ain’t the Christmas spirit, then what is?

Overwhelming Proof That Writers Aren’t As Smart As We Think We Are

The guy on the left, marked “husband,” is Rob Cohen. The babe on the right, marked “wife” is Janeane Garofalo.

Rob is writer/co-executive producer of THE BIG BANG THEORY and has also been a writer-producer on AMERICAN DAD, THE JAMIE KENNEDY EXPERIMENT, ACCORDING TO JIM, and on and on and on. read article

TVWriter™ Alum’s New Gig Guaranteed to Make You Grin

What do you do when you get horribly side-tracked from writing? If you’re former TVWriter™ Online Workshop student Robin Walsh, you make puppets! Working in Hollywood at Screen Novelties, the stop-motion studio that supplies animation for ROBOT CHICKEN, SPONGEBOB SQUAREPANTS, and a host of other top shows, she spent over a year cutting and pasting foam and fabric instead of words and parentheticals. If you want to see the fabulous results, check out  IT’S A SPONGEBOB CHRISTMAS on CBS, Friday November 23rd, at 9:30 pm. (The same night as Rudolph!!)

Here’s what CartoonBrew.Com‘s Jerry Beck has to say about the project:

When was the last time a prime-time TV Christmas Special was really special? I’ve seen this one – and it really is. Nickelodeon’s first full-length stop-motion animated special, It’s A SpongeBob Christmas! will premiere on CBS on Friday Nov. 23th, then begin airing about two weeks later on Nickelodeon, starting Sunday Dec. 9th. Inspired by the classic Rankin/Bass specials of the past, and featuring John Goodman and the voice of Santa Claus, the show was animated by Mark Cabellero and Seamus Walsh at Screen Novelties in Los Angeles. The special is available for purchase on DVD read article

Love & Money Dept – TV Writing Deals for 11/19/12

Showbiz Secret Number Two: Writers always write for love, but if we admit it we’ll never get anybody to pay us.

  • Andrew Miller (THE SECRET CIRCLE) is writing the pilot for SAGA, a drama about a writer who goes missing, for ABC (because writers are so interesting, especially when they’re missing. Just ask ABC).
  • Ted Mann (HATFIELDS & McCOYS) is writing the pilot for History Channel’s new miniseries, TEXAS RISING (because HATFIELDS & McCOYS was a runaway hit, which actually makes perfect sense…unusual, yes, for TV).
  • David Seidler (THE KING’S SPEECH) is writing the pilot for an NBC series based on Ron Chertoff’s Washington: A Life (because Abe Lincoln projects have been doing so well as feature films).
  • Jane Goldman (KICK-ASS, X-MEN: FIRST CLASS) is replacing Bryan Fuller on Tim Burton’s live-action PINOCCHIO film, even though Burton isn’t officially attached (because putting Burton’s name on it gets the project mentioned here, there, and everywhere, we suppose).

Okay, okay, PINOCCHIO isn’t a TV project, but, c’mon, it’s got Tim Burton’s name on it, and what the hell, we’re suckers for the guy too, just like everybody else.

How to Commit to Your Creativity

Some people are said to be scared of their own shadows, but let’s face it, that’s an Old Wives’ Tale at best. Other people, however, really are scared of their own creativity. If you’re among them, hey, get over it, doods. Like this:

 by Jennifer Johnson

Sure, sometimes the well runs dry and we struggle to generate creative ideas, but more often, we have so many creative ideas that we have difficulty committing to one and getting started. We can get really creative about how we avoid creating-surfing the internet for “research,” checking Facebook to see what our creative friends and colleagues are doing, baking cookies, watching TV, talking on the phone-the list is likely endless.

We trick ourselves into believing that in order to commit to something, we need to feel sure-sure that it will be a “success” (however we define that), sure that we have the skill to carry through on our vision, sure that we’ll complete it, sure that we’ll be pleased with the outcome, sure that others will like it, sure that it will sell, sure that when it’s done we’ll look back on it as worthwhile investment of our time. We want a clear “Yes” or a guarantee. Even though as creative people we have chosen a path that often offers little security, we continue to crave security and certainty, when often these are simply illusions to which we cling. read article