Nathan Bransford, TVWriter™’s favorite publishing know-it-all gives us the publishing insider downlow on an old saying from the theatrical realm: “If it’s not on the page, it’s not on the stage.”
Universality for the win!
by Nathan Bransford
This is one of the hardest, nubbiest challenges of writing a good novel.
You know your world backwards and forwards. You know what makes your characters tick. You can picture what’s happening. You know what you’re trying to say.
But unless these elements actually make it onto the page, your reader is left in the dark.
It’s really, really hard to put yourself in the shoes of one of your readers and accurately assess what you have and haven’t told them.
Here are some tips for making sure you have what you need on the page:
Err on the side of clarity
I was one of the less-promising students in my creative writing classes in college and I seriously doubt any of my teachers thought I would be someone who went on to be a published author. Among the many problems with my writing was one big flaw: I expected too much of my readers.
After receiving feedback that it was too difficult to follow one of my stories, I still remember the look of frustration on my creative writing teacher’s face when I insisted, “It’s all there on the page!”
Sure. Maybe. The problem was that it was way too difficult to piece everything together.
Don’t make your reader go digging for clues for the basics of what’s happening. Try not to beat your reader over the head with obviousness, but remember this: you’re probably not being as clear as you think you are.
This goes doubly for a character’s motivation and what’s at stake. You can’t possibly be too clear about these elements….
Read it all at nathanbransford.com
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For my best advice, check out Nathan’s guide to writing a novel (now available in audio) and his guide to publishing a book.
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