Nobody at TVWriter™ knows exactly what to say about Douglas Olsson’s new series, The Most Interesting Man in Studio City. Is it a success? A failure? Something in between?
The problem boils down to this: When you create something that’s all about mediocrity and disguise that mediocrity by calling it success, how do you know if it works?
Mediocrity, almost by definition, is uninteresting, yeah? But The Most Interesting Man in Studio City isn’t uninteresting. In fact, there are times that it’s very interesting indeed. Hmm, wouldn’t that mean it was failing?

