A letter from the Writers Guild of America West, relevant to all TV writers, whether Guild members or not, especially in this do-it-yourself-cuz-the-agents-don’t-seem-to-get-it-time:

A letter from the Writers Guild of America West, relevant to all TV writers, whether Guild members or not, especially in this do-it-yourself-cuz-the-agents-don’t-seem-to-get-it-time:

Yes, the TV and film writing world is still talking about – and learning from – Aaron Sorkin’s work in terms of his finest work – the script for The Social Network. Although just between us, we believe the first two seasons of The West Wing were even better.
Ya gotta love Script Reader Pro. It’s articles like these that show why:

Before accepting a writing gig and spending hours of your time working on someone else’s project, always remember: not all screenwriting jobs are worth doing.
In case you thought that our own Larry Brody was the only one in showbiz who’s crushing on outlines, here’s a very helpful guide to outlining from our friends at Script Reader Pro:

Writing a script outline is probably the most important preparatory step you can take as a writer.
From WGA West’s YouTube Channel:
In 2015, several years before his death earlier this month, the Writers Guild of America West’s Career Longevity Committee staged a reading of Alvin Sargent’s unproduced screenplay Madly In Love as part of their WGAW Inclusion & Equity Department’s Seasoned Readings, a program that celebrates the work of older writers.
The Career Longevity is one of nine committees overseen by the WGAW’s Inclusion and Equity Department.