Yeppers, gang, here it is, a short, snappy, and – we hope – thoroughly expert analysis of the best free screenwriting software available this year. And we don’t even have to read it. We just have to watch.
From the YouTube channel of our very good friends at Script Reader Pro
The Script Reader Pro website is here
Ready? Knives out!
It’s been over a year since Kelly Jo Brick graced this site. We would have said “well over a year,” but there’s nothing “well” or even okay about it.
Anyway, direct from her FinalDraft.Com column, some helpful advice about the “bricks of breaking in.” Rock on, KJB!
While there is no one path to break in as a film or TV writer, there are a lot of similar challenges — both internal and external — that aspiring writers have to confront. Below, Mayans M.C. writer Andrea Ciannavei shares how she faced the odds to grow her career as a television writer.
Listen up, gang. The ability to understand the thoughts behind notes you get from producers and agents is critical for TV and film writing success. In this article, Lucy V Hay helps you – us, actually – how to navigate through this most dangerous swamp.
Screenplay notes … Love them or hate ’em, we need ‘em! It’s a fact that rewriting your screenplay or television pilot is an absolutely essential part of the successful process of perfecting story, character, structure, tone and theme.
This is &^@#! scary:
Artificial intelligence is radically changing the world and it will RADICALLY change screenwriting.