And Now for the Drawbacks to Crowdfunding (& Other Indie Pitfalls)

Long time TVWriter™ visitors know that we are Big Believers in crowdfunding as a terrific way to get your work and yourself before an audience. And, yeppers, we recommend that you use the search bar in the righthand column of each and every post on this site to see what we’ve said in the past.

But even we, as crowdfunding’s staunchest advocates, know very well that it isn’t perfect. Recently we came across an article that points out several of the biggest problems indie film (and TV) makers face in the current world, and guess what the writer says is Number One? read article

Attn. Film Fests – Enough is More than Enough

Nope, this isn’t a festival our whistleblower is talking about, just a lovely bit of generica. No liability here, folks. Move on…

by Hank Isaac

I have to begin this by saying, “I’m not an attorney.”

However, that does not indicate in any way that I can’t read, write, or think.

So I was invited to enter my web series pilot episode into an awards competition. All a-twitter, I started going through the online submission process. Everything was great until I got to their agreement/release. Which I actually read, by the way (more later on why you should always read those). read article

Dan Harmon on Overcoming Writer’s Block

The creator of Community and co-creator of Rick and Morty was on Reddit last week, and for the first time that we here at TVWriter™ are aware of he actually made a public statement that was true/valid without being annoying/controversial.

New writers need all the help and advice they can get on the subject of writer’s block. (Experienced writers not so much because they have an inspirational ace in the hole known as “the mortgage is due!”) So without stalling any longer, here’s what dude said:

My best advice about writer’s block is: the reason you’re having a hard time writing is because of a conflict between the GOAL of writing well and the FEAR of writing badly. By default, our instinct is to conquer the fear, but our feelings are much, much, less within our control than the goals we set, and since it’s the conflict BETWEEN the two forces blocking you, if you simply change your goal from “writing well” to “writing badly,” you will be a veritable fucking fountain of material, because guess what, man, we don’t like to admit it, because we’re raised to think lack of confidence is synonymous with paralysis, but, let’s just be honest with ourselves and each other: we can only hope to be good writers. We can only ever hope and wish that will ever happen, that’s a bird in the bush. The one in the hand is: we suck. We are terrified we suck, and that terror is oppressive and pervasive because we can VERY WELL see the possibility that we suck. We are well acquainted with it. We know how we suck like the backs of our shitty, untalented hands. We could write a fucking book on how bad a book would be if we just wrote one instead of sitting at a desk scratching our dumb heads trying to figure out how, by some miracle, the next thing we type is going to be brilliant. It isn’t going to be brilliant. You stink. Prove it. It will go faster. And then, after you write something incredibly shitty in about six hours, it’s no problem making it better in passes, because in addition to being absolutely untalented, you are also a mean, petty CRITIC. You know how you suck and you know how everything sucks and when you see something that sucks, you know exactly how to fix it, because you’re an asshole. So that is my advice about getting unblocked. Switch from team “I will one day write something good” to team “I have no choice but to write a piece of shit” and then take off your “bad writer” hat and replace it with a “petty critic” hat and go to town on that poor hack’s draft and that’s your second draft. Fifteen drafts later, or whenever someone paying you starts yelling at you, who knows, maybe the piece of shit will be good enough or maybe everyone in the world will turn out to be so hopelessly stupid that they think bad things are good and in any case, you get to spend so much less time at a keyboard and so much more at a bar where you really belong because medicine because childhood trauma because the Supreme Court didn’t make abortion an option until your unwanted ass was in its third trimester. Happy hunting and pecking! read article

Peggy Bechko Wants You to Throw Your Hero Under a Bus

 

by Peggy Bechko

Seriously writers… storytelling isn’t a bed of roses for you, the writer, or for your protagonist – you know, the hero or heroine of the thing.

Oh, wait, you’re telling me that actually it IS a bed of roses? That everything is going honkey-dory? Nice? Cool?

So you’re telling me your manuscript or movie script is b.o.r.i.n.g. read article

‘The Circle’ is a Master Class in How to NOT Make a Genre Film

by Gerry Conway

Some movies are a master class in how to make a good movie. Some are a master class in cinematography, or the use of soundtrack and score. Some are a master class in shot construction and editing. Some are a master class in screenwriting structure.

“The Circle” is a master class in how not to make a simple genre film. read article