What else do people do again? – @BrisOwnWorld

by Bri Castellini

La La Land was ok. I mean, don’t get it twisted, I cried at the ending. That’s not particularly surprising- I cry a lot at TV and movies. I’m wired to care more about fictional narratives than actual human people. That’s not the topic of this blog. The topic of this blog is the sometimes inescapable self congratulatory subjects of media- ourselves.

Most hack writing books and teachers will tell young writers- write what you know! And to an extent, that’s good advice. To an extent. But what this has really done is encourage basically every other writer in the world to write about, well, writers. Screenwriters write about screenwriters, about actors, about Hollywood. Novelists write about novelists. Web series creators write about making web series, or wanting to get into the film industry, or living with too many roommates because we’re all poor and want to get into the film industry.

Every once in a while, there’s a really great piece of media about the media industry. 30 Rock. Submissions Only. La La Land. But here’s the thing- most people are not writers, actors, playwrights, artists, etc. So there are only so many narratives you can tell about the artistic lifestyle before people are like “we get it. You eat a lot of ramen and argue about dishes with the revolving door of kooky 20-something roommates, and someday want to see your name in lights. Cool. What else you got?” read article

Damon Lindelof’s ‘Sins of TV Writing’

The title of this video is misleading. The titular TV’s Five Cardinal Sins aren’t sins committed by the well-known writer-producer of Lost, The Leftovers, and the upcoming (yay!) TV version of The Watchmen. Rather, these are the sins that Lindelof has identified and clearly despises.

In other words, it’s safe for Lindelof lovers to watch this as well as informative as hell for all of us struggling to replace him at the top of the showrunner pecking order. Enjoy.

Peggy Bechko: Resuscitating Your Draft

by Peggy Bechko

As writers, we’ve all written screenplays or novels that sit around in our drawers for years. Something’s wrong, but what? Being a pro, you’ve already decided that script or novel needs major rehab, and you sure aren’t clinging to a story that just doesn’t work. BUT, what to do? How to approach the rewrite and the rehab?

Since you’re ready to do some major revisions I’m glad you asked. Let’s think about this and ponder a couple of radical methods for that revision.

First thoughts… read article

Dennis O’Neil: Après View Wonder Woman

Looking at Wonder Woman from a new angle

by Dennis O’Neil

So all hail, Princess Diana! For the second week in a row, she has conquered the all mighty Box Office!

You commerce-and-finance majors might consider declaring a holiday. Liberal arts dweebs like me will be satisfied with being grateful for a genuinely satisfying movie-going experience.

There’s a lot to be said for the film and no doubt a lot of it is already being said, with, again no doubt, more to come. It’s the kind of flick that prompts après theater discussion, which is kind of rare these days, especially among those of us who have logged a load of birthdays. We were so happy with the afternoon’s entertainment that we didn’t mind not remembering where we left the car. read article

Writer? – @BrisOwnWorld

by Bri Castellini

NOTE FROM LB: The following column by Bri Castellini was originally published last April, so if it reads like it doesn’t fit properly into the current context of “Bri’s Own World” articles we’ve been bringing you, that’s because, hey, it doesn’t.

The good news is that although the column may sound, as Bri herself has indicated, a bit “dismal,” things actually are pretty darn rosy for her now. The truth is that whether you’re a beginner, an established pro, or a writer on the way out, this is a tough game to play, filled with lows as well as highs.

We’ve all had to learn to live with it. To put this another way, knowledge is power, and after you read what’s below those of you who are just getting started will know a whole lot more about what to expect. I, for one, am grateful for Bri Castellini’s openness as well as her talent: read article