John Ostrander: Double Your Pleasure

by John Ostrander

When I was younger I would go to double features at the movies all the time; sometimes, even a triple feature. It was good value for the money; two movies for the price of one. We also had what was called second run theaters. These were more the neighborhood, smallish theaters that would show films after they had been in the larger theaters. There were even venues that would show old movies and change the program daily. This was before tapes or CDs were out and often were the only way to see old movies on a big screen (as God and Cecil B. DeMille intended).

Often the films were chosen randomly but every once in a while you’d get someone booking the films who knew what they were doing. I first saw Casablanca in a double bill with Play It Again, Sam, written and starring but not directed by Woody Allen. It was at the old 400 Theater on Sheridan Road not far from Loyola University and the place was packed with deeply appreciative fans. They cheered at every appropriate point. It was the best introduction I could have asked for to what has become one of my fave films. read article

LB: If This Series Doesn’t Become a Hit I’ll – erm – um – uh-oh…

by Larry Brody

All I’ve written is part of the headline and I’ve already buried myself? If that isn’t the definition of real trouble for a writer, what is?

Well, I wrote myself into this mess, so let me try and write myself out of it. read article

Peggy Bechko Wants You to Throw Your Hero Under a Bus

 

by Peggy Bechko

Seriously writers… storytelling isn’t a bed of roses for you, the writer, or for your protagonist – you know, the hero or heroine of the thing.

Oh, wait, you’re telling me that actually it IS a bed of roses? That everything is going honkey-dory? Nice? Cool?

So you’re telling me your manuscript or movie script is b.o.r.i.n.g. read article

‘The Circle’ is a Master Class in How to NOT Make a Genre Film

by Gerry Conway

Some movies are a master class in how to make a good movie. Some are a master class in cinematography, or the use of soundtrack and score. Some are a master class in shot construction and editing. Some are a master class in screenwriting structure.

“The Circle” is a master class in how not to make a simple genre film. read article

Herbie J Pilato Reads ‘Write Tight’

by Herbie J Pilato

EDITOR’S NOTE: Our bud Herbie J Pilato is a very picky person when it comes to recommending a TV show, film, or book. And a book about writing? Oh my! But here the dear boy is, returning to TVWriter™ to recommend this one book in particular. Take it away Herbie J!

It’s important to write tight.

Not, “It’s SO important to write tight.” read article