How Do You Write for an iPhone App?

We’re glad you asked. Cuz we just found the answer:

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Writing Haunting Melissa: An Interview with Andrew Klavan=&0=&.” As many of you know, Haunting Melissa is a project developed exclusively for the iPhone and iPad, and unlike a movie or television program, it has been designed specifically for the way viewers interact with these devices. Its chapters and chapter fragments are released in sporadic and unexpected ways. Episodes are not the same upon second viewing. The storytelling is so inventive that many reviewers have suggested that director Neal Eddlestein (producer of “The Ring” and “Mulholland Drive“) has “re-invented filmmaking.” (See: App-Only Horror Movie “Haunting Melissa” Challenges Traditional Storytelling) Intriguingly for both filmmakers and screenwriters, Eddlestein told Tech Crunch that his companyHooked Digital Media is funding a wide slate of these kind of projects. “We want to empower creative filmmakers to use these devices and this technology. We will help them with that and financing,” says Edelstein. “I think it’s an interesting time in Hollywood because not as many films are getting made, but people are looking for different opportunities. We’re perfectly positioned to take advantage of that.” I’m always on the lookout for ways for screenwriters to get their stories told.=&1=&

In order to find out, I spoke to the screenwriter of Haunting Melissa,Andrew Klavan. Andrew, also known by his pen name Keith Peterson, is an writer of mystery novels, psychological thrillers, and screenplays for “tough-guy” mystery films. Two of Klavan’s books have been adapted into motion pictures: True Crime (1999) and Don’t Say A Word(2001). As readers of Genre Hacks know, I encourage writers to work their craft in a variety of mediums, whether novels or teleplays, blockbusters or webisodes.  Andrew is in many ways the model of a writer successfully adapting to radical changes in the entertainment business and emerging technology, so I had A LOT of questions for him: read article

Peer Production: You Can Still See DOCTOR PUPPET EP 4

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…Cuz that’s one of the wonderful things about the interweb and its series. They’re on 24/7. For as long as the webs shall live:

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John Ostrander: Miss Pettigrew Lives For A Day

OStrander Art 130728 John Ostrander: Miss Pettigrew Lives For A Day

by John Ostrander

There are certain films I’ve discovered just by channel surfing; likewise, there are films that I know and when I come across them (again, channel surfing), I may stay to watch a given scene and then find myself watching the film through to the end. Most of the OT Star Wars movies are like that; so isCasablanca. This morning my Mary and I came across another, Miss Pettgrew Lives For A Day.  I found it first on TV, bought a copy, and today watched the movie through to the end anyway. read article

How To Tap Into Your Creativity

vvvvCreativity is a terrible thing to waste:

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by Headspace

Is creativity a matter of nature or nurture to you? Does it spontaneously arise when you least expect it, or do you deliberately attempt to be creative? Are there times when you wish you could be more creative? And what does creativity mean to you anyway? Is it something that allows you to solve problems, is it something through which you express yourself physically or is it something that keeps you feeling connected and in touch with the world around you?

o-CREATIVITY-570 read article

AN ODE TO CREATIVE WORK

360015528_295If the following sentence doesn’t make you want to watch this video, then, well, we just don’t know.

Here comes the sentence:

Even munchman found this video inspiring: read article