There are many many quotes about writers, writing and the imaginary world writers create. Quotes about how reading and writing affect us, what reading means to us, the joy of fascinating communication.
One of my favorites is by Oscar Wild –
“It is what you read when you don’t have to that determines what you will be when you can’t help it.”? Oscar Wilde
Here ya go, peer producers and other entrepreneurial creative sorts – the answer you/we/everybody wants to know:
by Aymar Jean ChristianFive years ago, making a web series to get on traditional television was a fool’s game. The few web series producers to secure development deals with networks — from “We Need Girlfriends,” “Quarterlife,” “Private High School” and “The College Humor Show” — either never made it to air or didn’t last long when they did.
But today many more web series have been optioned for TV and made it onto television. Some have even been successful, making it to a second season — like Comedy Central series “Broad City,” which was renewed last night. More series could be coming soon. In the past year hardworking producers like Issa Rae, Ray William Johnson, Benny and Rafi Fine, Anthony Padilla and Ian Hecox, Jake Hurwitz and Amir Blumenefeld and have all signed development deals.
by John OstranderAbsent any overall topic occurring to me, maybe we’ll try the ol’ shotgun approach – a bunch of writing tips with the idea that, if there’s enough of them, some should work. (My friend William J. Norris used to describe my sense of humor that way – if I just kept talking, a certain percentage of it was bound to be funny.)
Da tips.
Cast your characters. This can be short-hand for a character and can help with dialogue. Who would play your character in TV or movies or who would provide their voice if the character was animated? It doesn’t have to be a living actor; heck, it doesn’t have to be an actor at all. It can be somebody you know or knew, friend or foe or relative (the last can be a combination of the first two). It can be a politician or your boss or a co-worker. Somebody you find distinctive and whose voice is inside your head.
Deadline.Com seems to think that negotiations re a new deal between the WGA and Alliance of Motion Picture and TV Producers are all but finished. Sure hope they’re right:
Four days after returning to the negotiating table, the WGA and the Alliance of Motion Picture and TV Producers are near an agreement on a new three-year contract, I’ve learned. “We’re not there yet and there are still a few more I’s to dot and T’s to cross, but we’re very close,” one insider told me today. With many of the bulky points already coming together in the first two weeks of talks, the two sides spent some of their two-week temporary recess fine-tuning the agreement, sources on both sides say, before sitting down again at AMPTP’s Sherman Oaks HQ. An official announcement could come as early as the beginning of next week. If you take out the downtime, this year’s talks pretty much follow the timeline of the placid 2011 negotiations, which started on March 3 that year and were all done by March 20.
