
How ya gonna go wrong watching and listening to a dude who helped create the MCU version of Ironman, TV’s Mandalorian, and – oh yeah – the Marvel Cinematic Universe its very self?
This and more await at Outstanding Screenplays YouTube channel
40 years worth of TV writing experience and info, yours for the taking.

How ya gonna go wrong watching and listening to a dude who helped create the MCU version of Ironman, TV’s Mandalorian, and – oh yeah – the Marvel Cinematic Universe its very self?
This and more await at Outstanding Screenplays YouTube channel
LB’S NOTE: One of our fave TV writers-illustrators-screenwriters-vloggers, Stephanie Bourbon, talks about her “favorite show, ever” and why it still works so well.

If you were in your twenties when Jerry Maguire came out, or even in your late teens, you saw Jerry Maguire and started going around saying the catchphrases of “you had me at hello” and maybe even said to your person you were with then, “you complete me” basically the entire world was caught up in Jerry & Dorothy’s love story about a financially drowning & down and out sports agent & an accountant who get together after he writes a mission statement.
Nathan Bransford, TVWriter™’s favorite publishing know-it-all, gives us advice that most writers for all media and genres desperately need. This time around he goes right to the heart of things and tells us why one of the most successful children’s books of all time works.
A lot of the writing advice out there focuses on what NOT to do. “Why it works” is my occasional series where I take books I love and try to pinpoint
what the author does especially well.
Beverly Cleary’s recent passing led me to revisit one of my favorites from my childhood: Ramona the Pest.
LB’S NOTE: One of our fave TV writers-illustrators-screenwriters-vloggers, Stephanie Bourbon, talks about her “favorite show, ever” and why it still works so well.

Today I’m talking about my favorite show, ever, in the history of shows, and there are a lot of great TV shows out there but this one is special, to me, and about a billion others.
Yes, I’m talking about FRIENDS
LB’S NOTE: One of our fave TV writers-illustrators-screenwriters-vloggers, Stephanie Bourbon, talks about the kinds of characters who make a romantic comedy a hit and “hits” it right on the nose with these archetypes. (Not stereotypes, gang. That’s soo different.)

This week I’m talking about characters in comedy, specifically romantic comedies. What I am seeing in a lot of work that is coming in is the stereotypes of the snarky leading lady-who honestly, no one, not even our leading man, would like because she’s too awful, and the womanizer leading man-who again, why would anyone give him a chance? And then the other characters are throwaways.