40 years worth of TV writing experience and info, yours for the taking.
The latest expert advice from a website that continually flabergasts us. If knowledge is power, then Script Reader Pro rules us all.
If you want to learn how to write and sell a script, you must also learn how to write a synopsis.
AKA filmmakers, writers, directors, bloggers, podcasters, and other “creatives.” In other words, all of us gathered together running our eyeballs down this page.
Good advice provided by Stage 32, whose YouTube channel is HERE
The following isn’t our usual fare, but it’s more than appropriate.
Elyse Hauser is talking tips and tricks for those of us hard at it trying to get ourselves and our work out to the public. Or to those who can get it to the public. Or those who can give us some money so we can keep on keeping on while we fight the battle of self-expression.
Your second act is the one where you get down to doing the heavy storytelling lifting. It’s far from easy, but it will be easier after you hear what the one and only Ms. Stephanie Bourbon has to say.
Eliciting a reader’s feelings is the name of the game. And it’s way more effective – and responsible – than manipulating them.
Can I ask you a question? Since I can’t really hear you, I’m going to, anyway: Why do you write?
To inspire? To critique, teach, or motivate? To remember (or forget)? For self-expression? Because you have a fire burning in your bones, and you simply must?