40 years worth of TV writing experience and info, yours for the taking.
Cuz, believe it or dnt, sum people don’t gt it:
Typos, Spelling Mistakes, Grammar – by Danny Stack (Scriptwriting in the UK)
When a reader gets a script from the spec pile, they usually don’t have a clue who the writer is, or where the writer comes from. The script is going to be representative of everything the reader’s going to assume about the writer’s personality, talents and abilities.
Do you have what it takes to participate?
SITCOM ROOM registration is now open – by Ken Levine
Ever wonder what it’s like to be a comedy writer on a sitcom? Being surrounded by really funny people in a work environment where laughter is not just encouraged but required? Is this something you’ve always wanted to do? Or just something you’d like to experience one time? Then I invite you to join THE SITCOM ROOM — a weekend hands-on seminar where you don’t just sit and listen to boring lectures for two days, you WRITE. You’re put in a writing room where you will fix a script and see Hollywood actors performyour material. It’s kind of like one of those baseball fantasy camps except you don’t blow out your hamstring.
Ya gotta let go! Ya gotta fly! Ya gotta WRITE, dammit, WRITE!
Guilt-Free Creativity: Stop Kicking Yourself & Start Producing – by Elizabeth Grace Sanders
…So you can, you know, write/succeed/finish-what-you-start!
Ego Depletion, Motivation and Attention: A New Model of Self-Control – by Sam McNerney
…And, even better, here’s what to do about it:
Why Morning Routines Are Creativity Killers – by Annie Murphy Paul