5 Tips for Writing Better Characters

We don’t know Noam Kroll’s work – sorry, Noam! – but we sure like the way he writes about working. We’re extra glad that he’s only giving 5 tips here cuz any more and our brains would most likely burst:

by Noam Kroll

characterization
Click the cool pic to see where it’s from!

Writing a screenplay is a balancing act, and while all the components need to work together in harmony, the one component that can really make or break the script (in my opinion) is the character. In other words, you could have the most beautifully written story arc, and perfect structure to your script, but if your lead character is dull and flat then everything else falls to pieces. Conversely though, you may have story that needs work and the general pacing may be off, but if your lead character is compelling, your audience will remain engaged in the film regardless of some of the flaws it may have. In ideal world, you want to find that balance I mentioned above, where all of the components are working together harmoniously, and one sure way to start out in the right direction is to first focus on writing layered characters with meaning and purpose.

Here are my top 5 tips for writing stronger characters into your screenplay: read article

A Script Reader Answers Your Script Writer Questions

Well, maybe not yours, but a lotta people’s. Best way to find out if this is exactly what you want to know is to, you know, read:

5 Questions with a Production Company Reader
by Amanda

weekly readerJohn Flynn-York is a writer who’s been living LA for two years. He read scripts for Principato-Young Entertainment before starting his current job writing coverage for a production company with an open submission policy. We sat down with him and asked him Five Questions about his job:

How did you get your current job as a reader?
I moved to Los Angeles a little over two years ago to attend UCLA’s Professional Program in Screenwriting. While I was taking classes, I started interning at a management company in Beverly Hills. When my internship was over, the manager I had been working for put me in touch with a production company that he knew was looking for script readers. They had me write sample coverage, and based on that, hired me. read article

8 Questions about Agents Every Screenwriter Wants Answered Right Now

Chad Gervich is one of our favorite writers about writing for TV. Check out this article based on a chapter in his new book and you’ll see what we mean:

by Chad Gervich

how-to-manage-your-agent1.) What does an agent do if a client is passionate about writing something the agent feels is un-commercial?

Scott Hoffman, Folio Literary Management: It depends on the client, and it depends on the project. There are projects you think are entirely wrong projects, career killers, and there are projects that are just not the right next project for a client, in which case you have a dialogue about each of your respective roles, and what the benefits and drawbacks are to each specific party. [Likewise], if a client turns in work that happens to be not their best work, or not up to the kind of quality you as an agent feel you would like to represent, it’s up to you to have an open and frank discussion and say, ‘I don’t feel comfortable sharing this [with buyers]. read article

Peer Production: Did You Miss the “Web Weekend?”

The New Orleans Video Access Center gave a party last month, and way too many of us missed it. Here’s the story:

WebWeekend2013

NOVAC Web Weekend: Recapping A Memorable Beginning To An Important New Event For Web Series Creators
by Chris Hadley

Recently in New Orleans, a unique event brought together the best minds from the web series industry, along with some of the best creators of original content for the web. Web Weekend, a two day series of screenings and panels held by the New Orleans Video Access Center (NOVAC) in conjunction with the New Orleans Film Festival, provided attendees (this writer included) with ample opportunities to meet fellow filmmakers and to gain valuable insight on various issues relating to the industry, as well as ways to build audiences and to create quality content. NOVAC Web Weekend began on Friday, October 18th with Think Tank, which took place downtown at Launch Pad NOLA. Think Tank provided creators of many locally produced web series like SUNKEN CITY and LEAST FAVORITE LOVE SONGS ample opportunities to network with, and get valuable feedback from, their fellow filmmakers. read article

How to Write a Novel

Nathan Bransford is one of our favorite writers. Especially when he writes about writing. We snatch up his blog articles and repub them whenever we can.

Now Nathan’s gone all the way and published a book about writing. We think it’s awesome, as in helpful as hell, for just about any writer writing anything. Well, except maybe poetry. We’re delighted to reblog this sample chapter:

by Nathan Bransford

Rule #34: You don’t have “writer’s block” read article