MOTIVATION & WRITERS BLOCK

It must be at least a week since we at TVWriter™ addressed the dreaded concept of the even more dreaded Writers Block. So here’s the latest in a looong series of posts on the subject, here and elsewhere. (Don’t believe us? Go to our Site Search at the right side of every page/post here and see for yourself.

by Dominic Carter

Writers’ Block isn’t real! There, I’ve said it. I know, madness, right? But no, it’s true, writers’ block doesn’t exist and here’s why.

Writers’ block is a myth perpetuated by writers who have run out of things to say, whose idea doesn’t have legs or who haven’t prepared their screenplay/novel outline properly. “Oh no, I’ve hit a wall on page 30!” That’s because you didn’t plan your beat outline, sometimes called a scene by scene, well enough, not because you’ve hit an actual wall. You should really only run into problems if your planning is lacking and your idea is poorly thought out. read article

HOW TO WRITE A DRAMEDY SCRIPT: THE SECRET SAUCE TO GREATNESS

Our buds at Script Reader Pro have come up with another winner. This “secret sauce” is just what you need to make you the Dramedy Writing Chef of Chefs.

(Sorry to beat the metaphor to death. Sometimes we just can’t help ourselves.)

read article

Larry Brody’s TV Writing Tips & Tricks #19 – One-Hour Teleplay Construction

by Larry Brody

Looking for more detailed info on TV Writing? Then this is for you!

Over the years certain types of story construction have proven to work more effectively than others on TV. By “effective” I mean that series that plot their stories this way have gotten consistently higher ratings than others, and during the usual course of an episode fewer viewers have gone surfing away.

For one-hour shows, start with a Teaser that illustrates the premise of the episode. Make sure it shows us this week’s central problem. And make sure it really does “tease” us by ending on a note of tension – with danger (physical or psychological) either impending or rearing its fascinating head. read article

Stephanie Bourbon on the 2 Things All Writers Need to do on Social Media

LB’S NOTE: One of our fave TV writers-illustrators-screenwriters-vloggers, Stephanie Bourbon, has something important to say about – gasp! – social media. Don’t panic and run away. Keep reading!

by Stephanie Bourbon

This week I’m talking about what social media you MUST have if you are a writer. Okay, maybe not a must have, or a should have but both of these could really help you grow your business as a writer. read article

Larry Brody’s TV Writing Tips & Tricks #18 – Does Your Dialog Pass the Morning After Test?

by Larry Brody

Looking for more detailed info on TV Writing? Then this is for you!

One of the paradoxes of television writing is that although story is king, writers in television are judged by their dialog.

That’s because the plots for each series episode are usually constructed by the entire staff, with input from the stars, stunt co-ordinators, network personnel, and various assistants as well. read article