
Good morning! Welcome to another new week at TVWriter™, starting with our latest look at the most popular blog posts and resource pages during the last week.
They are, in order:

Good morning! Welcome to another new week at TVWriter™, starting with our latest look at the most popular blog posts and resource pages during the last week.
They are, in order:

There’s never been more opportunity to succeed as a writer than there is today. And here’s how to do it, in ten hard-working, money-making ways.
Whether you’re into fiction or nonfiction, self-publishing or the traditional path of publishing (with an A, B, or C-list publisher), being an author is a pretty cool thing. But it takes a lot of work — and there’s not one set path. But if you’re writing a novel, it’s best to complete the entire manuscript first. If you’re writing a nonfiction book, then you start with a proposal. Everything in nonfiction book-writing starts with a proposal. And look no further than advice in that department than by clicking on the following HERE.

Good morning! Welcome to another new week at TVWriter™, starting with our latest look at the most popular blog posts and resource pages during the last week.
They are, in order:
From TV critic to showrunner, Andy Greenwald has learned more about the TV writing biz than most of us have ever realized existed to be learned. Now he’s giving back!
Former TV critic Andy Greenwald had seen the demands of being a showrunner firsthand. When he finally got the chance to call the shots on the USA Network series “Briarpatch,” that opportunity brought everything that comes with overseeing the production of 10 hourlong episodes of TV.
“There was a day in the airport when I was flying back to Albuquerque because we had to crash [Episode] 2 through post to get it to Toronto,” Greenwald told IndieWire. “I think we’re filming 5 and 6, and we were prepping 7 and I was writing or rewriting 8, 9, and 10 and I was at LAX at 6 in the morning and I was like, ‘This…This is awful.’ And then I thought, ‘The only thing worse than this would be not doing it.’”

The War Between TV and Film Writers and the Association of Talent Agents has been going on for about a year now, and on Valentine’s Day the Writers Guild of America West emailed its members the latest status report.
As far as I’m concerned, it’s a doozy. Because its unwritten premise is, “Hey, kids, we aren’t negotiating with the Association anymore because it’s no longer necessary. We’re dealing one on one with the various agencies, and we’re scaring the hell out of the big, obnoxious ones, the gangs that insist on doing the packaging fee thing.”