The Business of Showbiz: Viacom vs. DirecTV

Who Won The War: DirecTV Or Viacom?
By David Lieberman

DirecTV seems to have the edge in my non-scientific checks with industry watchers who monitored the contract dispute that for 10 days prevented 20M satellite customers from seeing Viacom’s 17 channels. But there are champions for both sides — and nobody outside of the companies knows enough about the financial terms to make a solid case for his or her view. Here’s what I’m told: DirecTV’s first year payment to Viacom in the seven-year deal is a double-digit percentage step up from what it was paying before, but less than the 30% that DirecTV said Viacom initially wanted. After that, DirecTV’s outlay for Viacom’s channels will rise by mid-single digit percentages each year. The deal gives DirecTV the right to stream Viacom programming to its customers — both inside and outside of their homes — via the satellite provider’s TV Everywhere program. And it doesn’t have to carry premium movie channel Epix, but has the option to pick it up. read article

BREAKING BAD Creator-Writer-Showrunner Talks about…BREAKING BAD

Sure beats listening to (just about any) star:

Creator Vince Gilligan Talks BREAKING BAD, How His Vision for the Show Has Changed over Time, the Possibility of a Movie and More
by Tommy Cook

“Because I said so.”  Have four words ever been so chillingly, yet rousingly, delivered? Walter White’s Season Five conversation ender put the definitive mark on his transformation from mild-mannered science teacher to ruthless drug kingpin.  The brilliance of Breaking Bad is that this transformation can be viewed either as a triumph of Nietzschean ‘Superman’ ethics or as the moral turpitude of hubris run amuck.  Sure Walter White is a badass – but he’s also a very bad, bad man.  Breaking Bad is one of the only shows in recent memory that can ‘have its cake and eat it too’ – at once both celebrating and decrying Walter’s actions.  How does it get away with this? Because it’s just so freaking good… ‘Because it says so’. read article

SLEDGEHAMMER Gave Us This – What Will BULLET IN THE FACE Bring?

Just, you know, musing.

For those not quite in the know: Alan Spencer, TVWriter™ and LB buddy, created/wrote/produced both series. You’ve missed your chance at first-run SLEDGEHAMMER, but BULLET IN THE FACE debuts on IFC next month. read article

You’re Not the Only One Who Feels Crappy Because You Haven’t Found Your Audience Yet

In 3 words: “We all do.” In 3 more words: “Get over it.” In 2 more: “Read this:”

This is a very scary cup of coffee, Sugar

Cheryl Strayed: On “Binge Writing,” Doling Out Advice & Finding Clarity
by Jenn Godbout

Cheryl Strayed believes she was put on this earth to do one thing: write like a motherf*cker. She wrote through her mother’s death, through a divorce, and through a grueling, 1100-mile hike up the Pacific Crest Trail. Yet, when her 30th birthday arrived before her first book, she felt like a failure. Creation for creation’s sake wasn’t enough. She needed to share her art with the world. She needed to publish.

Today, Strayed is the author of the bestselling memoir Wild and a new book called Tiny Beautiful Things, which collects the best work of her alter ego, advice columnist “Dear Sugar.” I chatted with Strayed about how she finally birthed her first book, what she learned by being “Sugar,” and how we can all use writing as a tool for self-discovery. read article

Creativity Boosts: Adjusting Your Focus

We’re not sure what the pic has to do with the article, but – we kid you not – this is about writing:

Conquer Big Creative Projects Using Past, Present, and Future Focus
by Elizabeth Grace Saunders

In the past 25 days, I have written five chapters for my first book, which currently stands at 35,554 words of text. This writing has happened around also taking three out-of-town trips, working with clients, writing my newsletter, completing guest posts, giving virtual training courses, keeping in touch with family and friends, and still sleeping an average of 6.5 hours a night… read article