Herbie J Pilato: Is It Happening or Has It Happened? News or Entertainment? Fast or Faster? Aargh!

Blurry-Speed-Skateby Herbie J Pilato

Reality shows, scripted TV, talk shows, documentaries, and infomercials.

You never know which you’re watching anymore these days.  Everything seems to be almost a blur, with each form melding into the other.  Many television programs today are presented at such a hectic pace, in execution and as well as from an organic standpoint within their “premise,” segment, or episode; be they a sitcom, drama, TV-movie, mini-series, news or magazine show, on either broadcast or cable television.

A prime example of this development takes place on the talk show. read article

Herbie J Pilato: A lovely little film called “The Clock”

by Herbie J Pilato

A couple of movies after she went off to see The Wizard of Oz, and a few films before he became one of the Strangers on A Train, Judy Garland and Robert Walker (father to Robert Walker, Jr. Charlie X of original Star Trek fame) co-starred in a beautiful little motion picture titled, The Clock (released in 1945).

Garland played the sweet Alice Mayberry of New York City, and Walker played a soldier named Corporal Joe Allen, who visited (by train) the Big Apple on furlough.

They met when she broke her high heel by the escalator he was standing next to. read article

Herbie J Pilato: I like my street curbs to be fake

Yeppers, a real curb. Unless it isn't. Marty, whaddaya say?
Yeppers, a real curb. Unless it isn’t. Marty, whaddaya say?

by Herbie J Pilato

Martin Scorsese and I share a few things in common.

He’s Italian; I’m Italian.

He’s a genius; I’m Italian. read article

Herbie J Pilato Remembers Ann B. Davis

by Herbie J Pilato

49e9sf0rw19f9491You could always depend on Alice to keep The Brady Bunch house in order, and you could always depend on Ann B. Davis to hit her mark with her genius comedic spark.

It was a technique that endeared the character of Alice to millions for decades, and which will continue to do so for future generations.

Ann’s natural talent in the role was the kind that was born, not developed.  She had it from the second she came into this world, and took it back with her when she left. read article

Herbie J Pilato: The Thespian Ten Commandments, VI to X

japanese_actor

by Herbie J Pilato

As I was saying just last week, it’s time now to explore the balance of emotions that encompass acting (because I want to explore them, in case you wondered). So, as the great Mahatma Gandhi once said (and I really don’t know if he said it in real life, ’cause I only know first hand that the Oscar-winning Ben Kingsley said it as Gandhi in the 1982 iconic film of the same name), “I know a way out of hell” – which brings us to Number 6 on the list of The Thespian Ten Commandments:

VI. KEEP QUITE AND SPEAK AT ALL OF THE RIGHT MOMENTS AND/OR SPEAK ONLY WHEN SPOKEN TO:

You wanna know some of the best acting I’ve ever seen Tom Cruise perform? It was in his 1999 film Magnolia, when he played probably one of the silliest characters I’ve ever seen ANYONE play on screen – or off: the misogynistic self-help guru Frank Mackey. Through the middle of the film, a journalist arrives to interview Frank who thinks, as usual, that he has the situation under control. But he does not. The reporter is manipulating him, like Frank has done with others his entire life. He’s been loud, obnoxious and over-bearing which, as with any bully, has of course hidden his insecurities. But now, in this scene with the reporter, he’s grown quite quiet. That’s right. Quite quiet. So much so, that the journalist wonders why. “I am silently judging you,” replies Frank, who realizes that he’s been duped – and is trying to regain control of the interchange – which he ultimately does. But this time, through silence and by NOT losing his head. Here, Tom as Frank gives the line delivery of his life. He’s not jumping around the screen spewing vulgarities in his underwear and looking absolutely ridiculous (as he does throughout the rest of the movie). Nope. He’s just sitting there, saying nothing – and taking full command of the scene in the process. The point is, in acting, it’s not always so much what you DO say, but what you DON’T say. Sometimes, it’s all about the power of silence in between the spoken word, the proper pause, and what you can do with a silent stare – as opposed to an open mouth. That being said, sometimes we have to let the OTHER actor do the talking (scripted or improv’d), and be the strong silent type. read article