What, you ask, is our definition of “Best?” Damned if we know. It’s like the definition of art – we just know.
And, even after all these years, still the TVWriter™ fave:

What, you ask, is our definition of “Best?” Damned if we know. It’s like the definition of art – we just know.
And, even after all these years, still the TVWriter™ fave:


NOTE FROM LB: Once upon a time, I wrote a book called Turning Points in Television. It was supposed to be a legit history book, but I soon realized that the only things I felt comfortable writing about were those I could be absolutely sure were true – because they’d happened to me.
Fortunately, I had a wonderful editor who went along with my need to take a more or less phenomenological approach (great word, “phenomenological,” no?), and he gave me the green light to take that road.
Isn’t it supposed to be the other way around?

“I really just thought that it was my time to transition into a multihyphenate, out of a single hyphenate,” says the heretofore writer-comedian about her bold play for the outstanding actress in a short-form comedy or drama Emmy.
[This story contains spoilers from the web series An Emmy for Megan.]

Recently, while looking for elements to use in redesigning this site, I came across the following video on YouTube. None other than the first episode I ever wrote for the classic, multi-award winning NBC series Police Story.
I wrote the script for television’s only weekly police anthology series (different star cops every week with only the name of the police department, and the local bartender remaining the same, while I was freelancing back in the early 1970s. At that time drama shows didn’t have writers on staff. Not as writers anyway.
Story Editors, Story Consultants, even Executive Story Consultants, yes, and occasionally even Producers, but not as staff writers because that would have meant paying more than one or two writers per episode weekly minimums and, horror of horror, pension and health benefits per the WGA.

Over the past several weeks I’ve posted the scripts for Season 2 Episodes 1 through 7 of the FoxKids Network The Silver Surfer animated series I ran back in 1998 for those who wondered what all of us involved in the show had prepared for the world to see – if we hadn’t been cancelled.
Today it’s the turn of Season 2 Episode 8, Down to Earth: Part Three. This one never got beyond “First Draft,” status because FoxKids and Saban had all but pulled the plug. They weren’t about to pay for any further development of the show and all of us were being moved to other projects or sent home.
This draft is dated May 29, 1998 and is the last work of any kind ever done for the series. The day I emailed this one to the company was a very unhappy one for me. Here’s hoping that the day you read The Silver Surfer, Down to Earth: Part Three is a much more joyful one for you.