Feeling Freaked About Your Progress? Write Yourself a Fan Letter

Hey, it works for us. Especially if we sign a name like, oh, Joss Whedon’s to it and then post on Facebook…nah, that’s not the kind of comfort the following article is about. (But maybe it should be?)

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The opposite of anxiety
by Seth Godin

I define non-clinical anxiety as, “experiencing failure in advance.” If you’re busy enacting a future that hasn’t happened yet, and amplifying the worst possible outcomes, it’s no wonder it’s difficult to ship that work. read article

Love & Money Dept – TV Writing Deals for 9/2/13

Latest News About Writers Who Are Doing Better Than We Are

  • Jana Sinyor (BEING ERICA) & Aaron Martin (THE BEST YEARS) are writing a CBS pilot for a rebooted LOVE, AMERICAN STYLE. (Don’t worry, funny love fans, the only thing related to the original series is the title. This one’s just another sitcom about 4 hopefully adorable couples. Yi-yi-yi-!)
  • John Francis Daley & Jonathan Goldstein (BOSSES) are writing PUNCHING OUT, a sitcom for CBS about a couple of guys who hate their jobs and to do what they always loved best: working at a mall. (Nothing to see here, folks. Click on, click on.)
  • Jay Baruchel & Jesse Chabot (KATH & KIM) are developing an ABC comedy about an actor who moves back east so he can stay real in a house down the street from his mother. (We’re not going to mock this one because we don’t want to hurt the writers’ feelings. See, this is supposed to be “autobiographical.” And of course we believe that. For sure.)
  • Call your agents cuz Lionsgate needs a writer for a drama series to be called SEX, LIES AND HANDWRITING. Have your people get in touch with Lionsgate and its German partner, Tandem Communications. (Good luck! Let us know if you get it.)
  • Terry Matalas & Travis Fickett (TERRA NOVA) have sold a pilot based on the cult classic s-f film 12 MONKEYS to Syfy. (And we all know what that means: Has anything on Syfy ever become any kind of classic? Oh, wait, we loved EUREKA once upon a time, and LB’s wife was a big STARGATE: SG-1 fan so maybe this has a chance at actually being good after all. Stay tuned, genre fanboys and girls.)

Andrew Orillion: Brewing Up “On the Rocks” 2

Writing the Pilot
by Andrew Orillion

In my first article on the making of On The Rocks, I wrote about the creation of the show and how the staff came together. For this article, I’ll focus on writing the pilot episode.

With the staff, The Grinders, in place and the basic premise of the show agreed upon, executive producer/writer Sam Miller and producer/writer Chris Wu began work on the pilot.

Unlike the rest of the staff, who had never worked together before, Miller and Wu knew each other through industry connections and a pilot writing course they both took at IO West in 2009. Miller   worked in comedy development at ABC Studios and Wu was then an assistant at William Morris. read article

Ooh, a Genuine Writing Job Offer

…from one of TVWriter™’s favorite websites – The Mary Sue:

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THE MARY SUE WANTS YOU: TO BE OUR FALL INTERN
by Susana Polo

Description: It’s that time again! The Mary Sue seeks a kick-ass editorial intern. This is a no coffee-and-errands internship; our interns spend 90% of their time writing and most definitely receive bylines for all of their stories.

“But what will I do as an intern?” you ask, wringing your hands in anticipation, or possibly consternation. You’ll join us in our offices, write, look at Google Reader an RSS reader of your choice, write, write some more, learn to be a Real Live Blogger, etc.. “How can I get this wonderful gig?” you ululate, collapsing to the floor in paroxysms of excitement, perhaps foaming at the mouth for a bit of effect. It’s pretty simple. read article

Jack Kirby’s Secrets of Creative Success


The late Jack Kirby was arguably the most influential creative force on the planet today. The look and feeling of all comic books comes from his work as artist, storyteller, and, most importantly, as conceptualist.

And since comic books are the basis for 90% of today’s films, either directly (comic book adaptations or indirectly (just about any and every 21st Century action film blockbuster), Kirby’s action-packed perspective is, literally, everywhere.

Which is why we at TVWriter™ were so delighted to find the following interview about Kirby’s life, attitudes, and work ethic over at TCJ.Com. (The Comics Journal.) As far as we’re concerned, this should be required reading for every “creative: read article