Latest News About Writers Who Are Doing Better Than We Are
Mitchell Burgess & Robin Green (THE SOPRANOS) are writing the pilot for NBC’s PARK ROAD, a U.S. version of a Danish black comedy about, well, let’s just say it has a few SOPRANOS elements of the kind we all love. (Here’s hoping that this retains more of the comedy of the early seasons of THE SOPRANOS cuz, you know, fun.)
Adam Armus & Kay Foster (THE FOLLOWING) have written the pilot for ODYSSEY, a global conspiracy thriller for NBC. (And thank God for that “global” part. We mean, who cares about a conspiracy on say, your block? Those things just never work.)
Jeff Astrof (GROUNDED FOR LIFE) & Bill Lawrence (COUGAR TOWN) have sold MIDDLESENCE, a family comedy, to CBS. (This deal came about because of an already existing relationship between Bill and CBS. Jeff Astrof was brought in later…which is how it works in this biz, kids. So odn’t just sit there, make friends!)
Jill Gordon (THE SECRET LIVES OF WIVES) is writing an untitled Bravo dramedy about a family that takes justice into its own hands when its matriarch is murdered. (Yeppers, there’s nothing like a good vigilante show to make folks snicker. You suppose Bravo’s research backs that up?)
Hart Hanson (BONES) is writing THE GOOD THIEF’S GUIDE, based on a bestselling series of books by Chris Ewan about a thief who blogs about his adventures around the world. (Does the idea of bestselling books about a blogger sound sort of out-of-time to you? We’re having trouble wrapping our heads around it…unless these are ebooks. Hmm…)
Bruno Heller (THE MENTALIST) is adapting/creating/writing/whatever Fox’s GOTHAM, a drama about Gotham City’s Police Commissioner in the days before Batman. (Yup, we’re talking about a series about a young James Gordon here. And we mean series – it’s been given a series greenlight without a pilot or a script, just because…comics. Wonder what Fred Wertham would have to say about that.)
Mitchell Burgess & Robin Green (THE SOPRANOS) are writing the pilot for NBC’s PARK ROAD, a U.S. version of a Danish black comedy about, well, let’s just say it has a few SOPRANOS elements of the kind we all love. (Here’s hoping that this retains more of the comedy of the early seasons of THE SOPRANOS cuz, you know, fun.)