The always entertaining Dominic Carter demonstrates his insight into characterization. Gather ’round the campfire, kids, and read….
I read a lot of screenplays from writers of all abilities and the one thing I often find these screenplays lack are credible character arcs.
EDITOR’S ALERT: This is the second in Stacey Jones’ ongoing discussion of The Falcon and the Winter Soldier and its place in the Marvel Cinematic Universe.
Ergo, like it says in the title of this post, a world of SPOILERS awaits below the thin red line. Oh and also an assumption that you’re familiar with the MCU!
Power Broker opens with an eerily real ad for the Global Repatriation Council* (GRC), for those who Blipped out and returned, with a promise to help ‘return to normal’. The serenity is shattered by a GRC Police force escorting “Captain America”, as he investigates Flag Smasher.
Trying to place your web series (or web series idea) with a solid streaming network? Looks like our buds at Stareable.Com are lining things up so they can help.
The fine print in this image may be too small to read. Here’s a clearer version:
Cord Cutters News gives us the latest on the cord cutting front. This time around: Roku’s Big News, New Netflix Kids Section, Apple TV Rumors, & More!
Cord Cutters Video Channel: https://twitter.com/CordCuttersNews
Cord Cutters Web Site: http://cordcuttersnews.com
I’ve probably said this before, but since it’s THE most important aspect of writing for films and television it can’t hurt to say it again. SHOW what happens, don’t just tell about it.
This means that whenever possible the audience should see key events occurring onscreen. Don’t have Doctor Who gathering her companions together and telling them they have to save London from a new alien enemy. Instead, show her discovering the problem..