
Another fine video on how today’s mostly highly regarded screenwriter (give or take a few, um, dissidents) does his thang.

Another fine video on how today’s mostly highly regarded screenwriter (give or take a few, um, dissidents) does his thang.

One of the most difficult tasks for any writer, new or old, is editing.
In TV and films, the ability to edit your teleplay or screenplay is crucial. There are many good reasons for writing tersely and tightly, but one of the least understood is the fact that part of the magic of film and tape is that they expand time.

The Hollywood Reporter comes up with a winning table. And the discussion ain’t bad either. (But why do the men outnumber the women five to one? Asking for a friend.)

Dood below (and above too) is overacting a bit (or a lot if you watch without sound, but if you do that you won’t get his message), but his basic message is solid and takes only four and a half minutes to watch.
We admit it. We first discovered this extremely well done article via TVWriter™’s Writing & Showbiz Tips from Around the InterWebs page. Immediately, we realized it was just the sort of thing we should have commissions and published ourselves.
In other words, Industrial Scripts.Com has done the TV & film writing worlds a true “mitzvah” with this, and we hope that if you missed it last week you’ll start reading right here and click on to continue to the end.
