Ricky Gervais: Be a Cocky Little Nobody

Fucking-i rresisti-fucking-ble:

by Ricky Gervais

Whenever I’m asked that standard question, “What advice would you give to someone who wants success like yours,” I say “work hard, be original and write about what you know” (I’m always tempted to add “and get final edit” but I’m aware that this is very difficult starting out, and that I’m an incredibly rare case to have always been afforded this privilege.)

gervaisThe first, “work hard,” is not only the most important, but actually, essential. I believe that if you didn’t have to work for something, it can’t truly be considered success. Luck doesn’t count. I think success is allowed a certain pride and you can’t be proud of luck or even of being born smart, artistic, or talented. It’s what you do with it that counts. I think I learnt this lesson relatively late in life. I was one of those people who would pride themselves on getting results without trying too hard. Passing exams without revising too much. I realize now, that was the wrong attitude. You should always try your hardest. The Office was the first thing I really tried my hardest at. I don’t know why I started this radical new approach then, but I think it was one of those carpe diem type revelations. I came into the industry with a slightly older head on my shoulders than most and maybe deep down knew I shouldn’t blow the opportunity. I put everything into it. A lifetime of experiences, and I couldn’t have been prouder of the results. I don’t even mean the success of the show, but simply the finished product. I was the laziest man in the world before I made The Office but now I’m addicted to that sort of success. Pride in my work. Now I’m a workaholic, because I realize that the hard work is sort of a reward in itself. Winston Churchill said, “If you find a job you really love, you’ll never work again.” That’s what it feels like most of the time. I love it so it’s less like work and more like play. Although I’m a strong believer that creativity is the ability to play. read article

LB: Answers to 2 – Count ’em 2 – Vital TV Writing Questions

Glad You Asked Department 12/18/13

question_ditkoToday I’m going all out and answering two questions that you’ve emailed me in the past week.

The first question is from Adam, who writes:

Hi Larry, read article

How to network at a talent agency

More good advice for newbies from one of our favorite newbie advisors:

entourage

by Amanda

L writes: I’m a floater at a large talent agency in New York. How do I network – and how can I eventually transfer to the LA office?

The best thing to do is perform well at your job as a floater (which, for those who don’t know, is a person who doesn’t have a permanent assistant job but fills in when other assistants are out sick). Once you prove that you can be a good assistant, the agents start to remember you and request you to work for them. This does take some practice – but don’t worry, you’ll get the hang of it. Then when desks open up, you’ll be considered for those assistant positions. read article

Peggy Bechko: We writers have a lot on our minds…

by Peggy Bechko

shootfootWe writers have a lot on our minds and sometimes some of it might be better left behind. I mean sometimes we think and plan so much we can end up sabotaging ourselves or doing it all wrong.

Think about it, if you, as a writer are pondering how to be the next (fill in the blank with superstar script writer or author), then you’re on the wrong track. If all you’re doing is imitating or mimicking and not breaking out to be the writer YOU are then may I suggest a change in course.

Another thing many of us writers are guilty of is being obsessed with discovering what the ‘rules’ are and then following them. Now, when they apply to things like what a producer requests to make his or her life easier and get to the reading of your script or what an editor requests in the way of setting up your manuscript, the rules are to be followed. But when it comes to your actual writing, give it up, don’t be so knotted up about it and find your inner guide to tell you what your real story telling direction is. Who knows, breaking rules may equal creating new ones. read article

Marc Alan Fishman: Roguish Charm

Oh those crazy, zany villains? Where would we writers – and viewers and readers – be without ’em?

Villains

by Marc Alan Fishman

I hope you all grew a bit too fat because of your gluttonous Thanksgiving feasts, fractured your hips whilst storming the gates of big box retailers on Black Friday (because you reallyneeded that 65” 3D flat screen with cappuccino maker at 80% off), and have since settled back into the doldrums of another bleak and cold winter. Yes, that’s right. I hope for your depression. Your pain. Your sadness. Why you ask? Because, Mr. Bond… everyone loves a villain.

Villains are more fun to write, are they not? Villains can do what we can’t. Say what we won’t. Fight dirty, and then laugh all the way to the loony bin. Villains can cheat. They can lie. And they love to steal. They vex our heroes, and force them to define themselves. In much of the fiction we nerds adore… it’s the villains that truly make our heroes. But what then, makes the villain great? read article