by Angelo Bell
Screenplay critiques should measure how well the writer has conveyed his/her message. Critiques are not only about what’s there, it’s about what was required to tell your storycompletely. Often a critique will be about what’s not there. A thriller should be judged and critiqued as a thriller, not a misplaced coming-of-age film. If the genre isn’t clear it’s because the writer’s message is missing some important elements, not that it’s in the wrong genre. I’ve read many critiques where experts express disappointment that a writer has chosen the wrong genre. I think they are missing the mark. It’s the delivery that should be criticized.
I want to share this excerpt from a recent critique on my script, Legend of Black Lotus. I’m always tentative when I share my work because you wonder if anyone will truly get it. Often,getting it is the truest sign of how well (or poorly) you – as the writer – have conveyed your message. I think it’s important to note that my script is a martial arts fantasy, and not the reviewer’s favorite genre.