by Larry Brody
In an era where screenwriting courses are rampant, available at your local adult school, junior college, university, vocational school, you-name-it, it’s easy to throw yourself into the study of format and technique.
TV Writer.Com, for example, is bombarded daily with questions about the “best” way to show scene transitions, the “most effective” way to write an action scene, and the “most subtle” way to “imply” rather than “state” a new shot.