Because we know some of you may want/need these (FTR: I don’t.):
5 Romance Writing Tips from Sarah MacLean
By Jason Boog
1. No Mary Sues. Ever! Boring heroines are, in my opinion, the most common romance mistake. We loathe hanging out with women who define themselves purely through their relationships…why would we want to read about them? Make sure your heroine has a purpose. Make sure she has character. Make sure we like her *without* her hero. That will make her journey toward love that much more rewarding.
2. Heroes can (and should) be flawed. I real life, I’d say that your commitment-phobe/narcissist/bad boy boyfriend is a lost cause, but romance is shelved in fiction for a reason. Here, we get to test the old adage of love conquering all…and it had better conquer without question. Don’t be afraid to give your hero flaws. And once you do, don’t be afraid to make him face them.
3. Conflict conflict conflict. Be wary of relationships that come too easily. The trick to great romance is in overcoming adversity. In realizing that love is worth some uphill climbs. The amazing Susan Elizabeth Phillips says that if your hero is a firefighter, your heroine had better be an arsonist…she’s right, and not only about external conflict. If your heroine wants something, your hero’s job is to keep her from it, and vice versa. There’s nothing that makes for a faster, better, hotter romance.
4. It’s not all about sex (or, rather, it is…but not in the way you think). Some of the hottest romances out there have only one or two sex scenes in them…but the dialogue and the incredible chemistry between the hero and heroine keep us in a constant state of “Is it hot in here?” even when everyone is fully clothed.
5. First impressions count. That first meeting–the one where the hero and heroine start the slow burn that takes the whole story to turn into true love–is the single most important part of the whole book. Nail it, and you’ve won yourself readers.
This has been an embarrassing public service brought to you by
HTF are these tips different than any other writing?
Why, they’re, they’re…they’re by Sarah MacLean. And they’re more romantic, of course.
munchman