LB: Did You Know You Can Read Kindle Books w/o Having a Kindle?

Whoa, I just found out. (Thanks to my wonderful wife Gwen the Beautiful, who’d assumed I had the info all along.)

Get yer Kindle Cloud Reader here

Turns out that Amazon.Com has this Cloud Reader app that lets you read any Kindle purchase on your computer, just like a PDF!

Yeah, I know how that sounds. I’m trying too hard with the positive spin thing, right? But I really do think this is cool…and the Kindle edition of Television Writing from the Inside Out costs 1/3 less than the PDF version did. And 3/3 less today and tomorrow because today and tomorrow it’s FREE.

In Their Own Writ Dept – 12/5/12

People ask me, “How can I make myself start writing?” My own question has always been, “How can I make myself stop?”

I’ve spent more time worrying about my characters than I have about my children, but it’s my children, not my characters, who call every week to make sure I’m okay.

Larry Brody

LB: Dan Harmon Says What We All Need to Hear

In my experience, every word this man says here is true. New writers and creators, the world is yours.

After a fashion.

The next time you post a peer produced video or do anything else you can think of to crash the show business gates, tell ’em Dan and LB sent you.

And Now, a Major Real-Life Rule For Writers to Live By

Hey, it’s from Lifehacker.Com, so you know it’s about Real Stuff:

“We Have to Continually Be Jumping Off Cliffs and Developing Our Wings on the Way Down” – by Whitson Gordon

Authors Ray Bradbury and Kurt Vonnegut, both of whom have been cited as saying versions of this quote, know a thing or two about creativity. They say that “We have to continually be jumping off cliffs and developing our wings on the way down.” Apart from being a vivid image, it’s a great metaphor for taking risks. Sometimes, you need to just jump headfirst into a project, even if you don’t know where you’re going with it yet. You’ll learn as you go, and sometimes that’s the best way to get the results you want.

True dat. Except when it isn’t.

Well, okay, we’ll give Ray and Kurt the thumbs up for truth sign. But FWIW we believe in making just a few preparations for stepping off the cliff. Some knowledge or skill that might double as wings.

But we’re definitely believers in the “No safety net” theory of life. Because sometimes going splat! is the best way to learn.

(And failing as a writer won’t kill ya like a 1000 foot fall will. The human spirit is much more resilient than too many people believe.)

Peggy Bechko Tells Us How to Kill a Character

Heartless, that’s what she is.

And that’s why we love ‘er:

Here’s somebody who really knows how to kill a characer – Uma Thurman in KILL BILL

Ever Wondered How To Kill a Character?

We writers create people (fictional ones) and we can kill them off as well. We can kill off characters that just hang around the edges of the story (remember the new guy on Starship Enterprise who you knew was going to get it? I mean, really, who didn’t know the new guy was toast?) or we can kill off a main character. Heh heh heh.

Yep, we’re god-like beings in that regard. We can create ’em and we can squish ’em like bugs.

But wait, hold on. There’s more to it than that. When we use our keyboards to kill off a character we better have a darn good reason or be read to duck that tsunami of frustrated hate mail that’s sure to come your way. Swept up in all that power of being a god-like writer I bet you didn’t think of that.

Yep, the death of a character, most certainly a main character appears to be a great big turn off to readers or film-goers, and it can be, hence the hate mail writers can receive. But, it can also add unmeasurable power and drama, pathos and empathy to your story lifting to from ordinary to extraordinary.

Still, again, beware the frustrated, infuriated reader.

Despite the fact that it is your story you’re writing.

So, you figure your story demands you kill off a prominent character. Nothing else will lend the pathos and power your story needs. How do you accomplish that and yourself live in writer world to tell another tale to that reader who might well hurl your book or script across the room at the character’s death?
Well, there are some things for intrepid writers to keep in mind.

For starters foreshadow the character’s demise in your writing. This can be tricky, but it’s necessary. Readers in general expect a happy ending, so killing off the character you’ve gotten them to like, identify with and cheer for is a jolt. Not that the end of your story has to be shown from the beginning or that your readers should expect the character to die. But it should make sense in context. It should, upon reflection, make sense to the reader. This hinges on your skills as a writer.

Another note. Above all, make sure the death of that character matters, that it’s not just for shock value. When a character gives his or her life to benefit something greater, when a life is given in service to something worth even more than a life, then the reader resonates with that and the writer is victorious. It creates a situation where the reader can cheer even while the character is mourned. Can feel triumphant even while shedding tears. Do not make that death for nothing.

And finally, while that story may not have the usual happy ending, that doesn’t mean you can’t end on a positive note. We humans crave that ray of light even in the midst of the worst disasters, the most mind-numbing catastrophes. Think about books you’ve read, movies you’ve seen. For example the movie 2012. It’s one disaster after another. People are dying by the millions. The spunky Russian lass is killed (thank god the small dog survives), but in the end there is hope and her death was in order to save others. Sacrifice.

Killing off a character, one you’ve created to be a three-dimensional character people care about, is never a decision a writer should make without carefuul consideration. But if you’re there. If you’ve decided you can’t have the kind of story you want to write; that your story demands the loss of that character, then consider my previous suggestions to make it powerful, poingnant and satisfying for your audience.

And I’d very much like to hear about your momentous decision to kill a character in a story you’ve written. What made you decide that character was fated to die?