Kelly Jo Brick: The Write Path With Manager Eddie Gamarra, Part 2

A series of interviews with hard-working writers – by another hard-working writer!

by Kelly Jo Brick

Eddie Gamarra headshotFinding the right representation can be a key component to growing and developing a writing career. TVWriter.com sat down with several managers to find out what they’re looking for in writers and what writers can be doing to help achieve success in the industry.

Eddie Gamarra, a former college professor, has spent the last 11 years working at the management/production company The Gotham Group. After starting as assistant, Gamarra stepped into the role of literary manager where he represents animation, children and family entertainment talent including writers, directors, artists and publishers. You may want to read Part 1 HERE.

TELL US ABOUT THE RELATIONSHIP YOU HAVE WITH YOUR CLIENTS. read article

Kelly Jo Brick: The Write Path With Manager Eddie Gamarra, Part 1

A series of interviews with hard-working writers – by another hard-working writer!

by Kelly Jo Brick

Eddie Gamarra headshotFinding the right representation can be a key component to growing and developing a writing career. TVWriter.com sat down with several managers to find out what they’re looking for in writers and what writers can be doing to help achieve success in the industry.

Thanks to his high school offering both film and a psychology as class selections, manager Eddie Gamarra fell in love with Hitchcock and Freud, sparking a passion for film and psychoanalysis that led him to major in Psychology at Vassar with a minor in Film. Eddie furthered his education by getting his Masters at NYU and a PhD at Emory. Rebooting his career after working as a professor, Eddie moved to Los Angeles where he started as an assistant and eventually found his way to The Gotham Group where his love for animation and experience working for a book packager found him well-suited for a role as manager with the company.

WHAT IS THE MOST COMMON QUESTION YOU GET FROM ASPIRING WRITERS? read article

Kelly Jo Brick: Highlights from the Variety Entertainment & Technology Summit

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By Kelly Jo Brick

Developing material through a different lens was a recurring theme during Variety’s Entertainment & Technology Summit. In this day long event, panelists discussed the challenges of staying relevant and reimagining their strategies as the entertainment industry grows and adapts to new technologies.

When looking at the current entertainment atmosphere and the future of the film industry, President of Imagine Entertainment, Erica Huggins, declared, “A good story is a good story.” But stories can now be told in many ways as she added that there is, “A select group of people that will always tune in for something that is great.” read article

Kelly Jo Brick: The Write Path With Dean Batali, Part 1

A series of interviews with hard-working writers —
by another hard-working writer!
by Kelly Jo Brick

Batali-Headshot-dark-bg-211x300Aspiring writers often wonder how the pros got where they are. The truth is, everyone’s story is different, but there are some common elements: dedication, persistence and hard work.

From writing a play for his church, to the Central Vault at Universal Studios and on to one of those mythical Hollywood mailroom jobs, writer Dean Batali worked his way up in the industry before landing in the writers’ room on TV shows like Buffy the Vampire Slayer, That ‘70s Show and Ties That Bind. read article

Kelly Jo Brick: The Write Path With Liz Tigelaar, Part 2

A series of interviews with hard-working writers – by another hard-working writer!
by Kelly Jo Brick

tigelaar headshotWriter Liz Tigelaar (Life Unexpected, Bates Motel, The Astronaut Wives Club) rose through the television ranks, starting as an intern at the soap opera, General Hospital, then going on to work as a PA, a script coordinator, assistant to Winnie Holzman and a writers’ assistant before breaking in as a television writer. Continuing an interview that began last week, Liz shares the experiences and advice she’s learned along the way.

WHAT’S THE MOST COMMON QUESTION ASPIRING WRITERS ASK YOU?

People ask how to break in. I remember asking that when I was in college. I remember being on the cusp of graduating and being like, how do you get a writing job? You need an agent. Well, how do you get an agent? You need a writing job. And I’m like, I don’t understand. And it’s true, you kind of don’t understand. And in some ways there’s no rhyme or reason to. read article