When screenwriter Brian Helgeland talks about Screenwriting, we listen

Writer Brian Helgeland (L.A. Confidential, Mystic River) explains what it feels like to win an Oscar an a Razzie on the same weekend, why he thinks writer’s block is a myth, and reveals Clint Eastwood’s unique powers of persuasion.

Brought to us by BAFTA Guru, a service the British Academy of Film and Television Arts…for which TVWriter™ is mucho thankful!

Read the Latest DOCTOR WHO Scripts for Free

We’ve said it before, and we’ll say it again. BBC’s Writers Room is one of the interweb’s best places to go for behind-the-scenes info on BBC shows.

Of special interest to writers (and we’ve said this before too) is the Script Library, which keeps on adding to its collection of BBC TV, radio, and feature film scripts.

Here’s a sample of what’s available…and, yeppers, we’re especially excited to note the two Doctor Who Series 11 teleplays that have joined the fold:

7 Screenwriting Tips from – Oh, You Guessed! – Screenwriters

The mother and father of all showbiz trade maags, Variety.Com comes up with a winner for writers. In other words, this is about writing because that’s how we and our viewers win, yeah?

Here’s what Variety has to say about this vid:

Variety recently sat down with some of our 2016 Writers to Watch, including the scribes behind “Moana” and “Sully,” at the Whistler Film Festival where they gave us a few tips on how to become a successful screenwriter in Hollywood.

http://bit.ly/Variety

THE #1 TECHNIQUE WRITERS FORGET WHEN WRITING SCENES

Our friends at Script Reader Pro come through once again with this common sense guide to writing a good scene:

 

by Script Reader Pro

Writing a scene — one that moves the reader — can be a challenge. But there’s one technique you should include in every scene you write. 

It’s a very simple method, and by the end of this post you will know what it is and how it’s implemented by professional screenwriters. Most non-screenwriters who watch films aren’t even aware of its existence, but it’s there in virtually every important scene in every film ever made. Even many aspiring screenwriters aren’t aware of its existence. Or if they are, they fail to use it when actually writing a scene.

Forget everyone telling you that your protagonist must have a goal against an antagonist. That just isn’t always the case, as we’ve already discussed in this post on why most advice on how to write a scene is wrong.

The #1 Tip For Writing A Scene… 

One of the single biggest problems we encounter with writing a scene is that they don’t “turn.” i.e. there’s no “reversal” emotionally or dramatically in the scene from bad to good, or vice versa.

A scene should never start on a positive value and end on a positive value. Or start on a negative value, and end on a negative value. Instead, every scene you write should “turn.” That is, go from:

a positive (+) to a negative (-)
or a negative (-) to a positive (+)

If Jim starts a scene kissing Brenda (+), then it had better end on a negative like him getting dumped (-). Or, if it starts with Jim arguing with Brenda because he forgot their anniversary (-), then it’d better end with something positive, like them making out (+).

When writing a scene, every one must end up in the opposite place from where it started. Otherwise its purpose can be seriously questioned. This transformation from a positive to a negative or vice versa is known as the scene reversal….

Read it all at ScriptReaderPro

Advanced Screenplay Formatting Tips

Stuff we all should know:

Important info from Indy Mogul