For web series afficianados – and everyone else who knows what relationships are really like:
Written & Created by Rosa Handelman
Starring Rosa Handelman & Brooks Morrison
Directed by Patrick Wymore
Director of Photograph Alex Parker
Edited by Lindsay Morrison
Theme song by Brooks Morrison & Kush Mody
Sound by Ben Olson
Like us on facebook – www.facebook.com/AloneTogetherTV
Follow us on twitter @ alonetogethertv
Funny, real, no? And get this: ALONE, TOGETHER is a web series, kids. On YouTube. And you know what that means.
If you’re on the TVWriter™ e-mail list, this message popped into your inbox this morning. If not – well, here ya go:
Well, actually it’s 6 and a half. But that’s a lot less time than it may seem cuz – ya gotta write, you know?
TVWriter™’s People’s Pilot contest has been around for years. In fact, this is the 23rd running. It’s for original series pilots, natch. As in your unique creations. Your television dreams.
There are over $5000 worth of prizes, and every entry receives free feedback on where it ranks in terms of both professional standards and its competitors this year.
In just the past couple of years, Winners, Finalists, or Semi-Finalists of the TVWriter™ contests have been on the staffs of CHICAGO PD, CHICAGO FIRE, PERSON OF INTEREST, THE WALKING DEAD, RIZZOLI AND ISLES, GREY’S ANATOMY, ROME, NTSF:SD:SUV, KILLER WOMEN, ANIMAL PRACTICE, and the upcoming HBO series THE LEFTOVERS. And that’s only the winners who’ve stayed in touch.
You too can be in this elite company. But first you have to write. Win or lose, that effort alone puts you ahead of 99% of the pack. And a finished spec pilot script is the currency of TV writing today. It’s the favored writing sample of showrunners and agents. The only thing better is a finished pilot script that’s scored at or near the top of – you guessed it – the People’s Pilot.
There’s lots more to tell about this highly respected contest, but our marketing maven says we should keep our e-mails as short as possible. So here are some links where you can find out all the rest:
The writing, acting, and general production values here are so atrocious that this series should simply be called SILLY VALLEY. Although, come to think of it, that would insult genuinely wonderfully silly people everywhere.
My inner nerd really wanted to like this. Or to at least hate the show so much that it could “love” it with a gleeful sneer. But, um, no way. SILICON VALLEY just takes all the classic (as in cliche-ed) smart tropes and makes them dumb, dumb dumb. It amazes my how a new show could present us with material that’s so damn old.
When Consumerist.Com tells you something is bad/scary/OMFG!, you know there are a few problems with it. And, boy, are they telling us a lot about this deal.
Read on…if you’re brave enough:
The Comcast Merger Isn’t About Lines On A Map; It’s About Controlling The Delivery Of Information
by Kate Cox
Comcast and proposed merger partner Time Warner Cable claim they don’t compete because their service areas don’t overlap, and that a combined company would happily divest itself of a few million customers to keeps its pay-TV market share below 30%, allowing other companies that don’t currently compete with Comcast to keep not competing with Comcast. This narrow, shortsighted view fails to take into account the full breadth of what’s involved in this merger — broadcast TV, cable TV, network technology, in-home technology, access to the Internet, and much more. In addition to asking whether or not regulators should permit Comcast to add 10-12 million customers, there is a more important question at the core of this deal: Should Comcast be allowed to control both what content you consume and how you get to consume it?
In their joint testimony [PDF], the execs made a point of giving hearty shout-outs to anyone they perceive as a competitor, in order to claim that the merged company won’t be a monopoly. That list of competitors repeatedly named AT&T, Verizon, DirecTV, Dish, Amazon, Apple, Sony, Google, Netflix, and Facebook as chief concerns.
Some of those are easy to understand: the satellite companies directly compete with Comcast to get TV networks into peoples’ homes, for example, and the fiber companies do that plus broadband, too. But Apple and Sony? Amazon and Netflix? Facebook?
If Comcast is the company that plugs the broadband wire into your home, then why are they so concerned about whose devices and services you might use once you’ve got that connection?
Comcast is so concerned about all those other products explicitly because they aren’t just the company that plugs the broadband wire into your home. Comcast is already not only your carrier but also your content — and if they get their way they’ll become your gatekeeper to everyone else’s content, too.
MACHINIMA AND PRIME UNIVERSE FILMS PRESENT A Prime Universe Films/Pure Imagination Studios Production From director BenDavid Grabinski (COST OF LIVING) and producers Adrian Askarieh (HITMAN, AGENT 47) and Joshua Wexler (MORTAL KOMBAT) comes ENORMOUS. Based on the comic book by Tim Daniel and Mehdi Cheggour.
This one works for us in oh-so-many ways. And if it gets enough hits on YouTube it’s destined for its own slot as a Machinima web series.
In other words, you can get this to series. All ya gotta do is…CLICK.