New, Improved PEOPLE’S PILOT Opens March 1st

tv_writer_peoples_pilot_smby Larry Brody

Last week we announced that we were postponing the opening of the 2016 PEOPLE’S PILOT by a month, and I promised to explain soon. I figure that 8 days pretty much qualifies as “soon,” so here comes the ‘splaining.

First, the Good News:

We’re re-organizing and enlarging and otherwise improving everyone’s favorite online contest – well, mine anyway – the PEOPLE’S PILOT.

As the opening page of the PP site now says, “New Categories – More Prizes – Longer Entry Period.” The contest now will have three categories instead of two, be open for almost a year instead of just a few months, offer larger dollar amounts for First and Second Prize winners, and if all goes according to plan we’ll have not one but two helpful bonuses for all entrants.

How about some specifics?

  • Categories now include:
    1) Scripted Series 1/2 Hour or Less
    2) Scripted Series Longer than 1/2 Hour up to 1 Hour long
    3) Scripted Series Longer than 1 hour
    In other words, entries anywhere from, oh, a few seconds to several hours long are cordially invited!
  • Genres are totally unlimited. We’re really hoping to receive not just broadcast and cable pilot scripts but a substantial number of entries for web series and console game series. Shows that could play on any electronic media you can think of via major websites like Netflix, Amazon, and their ilk, YouTube and Vimio, and personal sites as well. We all know that “TV” isn’t really TV anymore, so let’s go for the alternate gold.
  • First Prize in each category is now $500. Second Prize is $100.
  • We’re whipping up a new entry bonus to join the Free Feedback and should be announcing it soon.
  • This year’s PP, our 26th running of the contest, will open March 1 and close November 1. 8 months in which to perfect and then finish your work.
  • We’re also creating a new entry fee schedule so that those who enter two or more scripts can get a discount even if they aren’t “Early Birds.”

What we’re really trying to get at here is an emphasis on creativity. We want to see scripts that are innovative and unique. And we’re wide open to input from all of our visitors. If you’ve got an idea for how to ratchet up the wildness, please, please, please lay it on us in the comments, okay?

Time now for the Bad News:

TVWriter™’s SPEC SCRIPTACULAR for this year has been cancelled, for three reasons.

  1. The number of entries in the Spec Scriptacular have been steadily declining over the past few years.
  2. Almost twenty-five percent of this year’s entries were, in effect, series pilots entered as specials or screenplays.
  3. The TV biz on the whole has become much less interested than it used to be in seeing spec scripts for current series.

The Industry is changing quickly, and the current currency for finding new writers to represent and hire for staff jobs and individual episodic assignments has become pilot scripts. Overwhelmingly so.

The powers that be seem to finally recognize that pilot scripts are a much better way for a writer to demonstrate his or her creativity and skills than spec episodes. Combine that with the fact that they’re also a hell of a lot more fun to write, and it becomes clear that the SS has lost much of its original purpose and usefulness.

And why in the world would TVWriter™ and I want new writers to spend time, effort and moolah on anything but that which will help them and their careers the most? I.e., pilot scripts?

Will the SS return? Sure. As soon as it mean something again. Showbiz is nothing if not cyclical. That time is bound to come.

Meanwhile, I’m eager to get your reaction to this new plan. And even more eager to read your next PEOPLE’S PILOT scripts. I’m feeling excited. And ambitious. And ready to take part in making what so many people are calling TV’s new “Golden Age” shine even more brightly.

And I’m hoping, for the sake of storytelling and storytellers and their audiences everywhere, that all of you are too.





Author: LB

A legendary figure in the television writing and production world with a career going back to the late ’60s, Larry Brody has written and produced hundreds of hours of American and worldwide television and is a consultant to production companies and networks in the U.S. and abroad . Shows written or produced by Brody have won several awards including - yes, it's true - Emmys, Writers Guild Awards, and the Humanitas Award.