LB: 2nd Thoughts on my 1st Thoughts on the PEOPLE’S PILOT 2019 Writing Competition Entries

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by Larry Brody

Last week – on November 5th, to be precise – I posted my preliminary thoughts about this year’s PEOPLE’S PILOT entries.

I still can’t go too far beyond that because I’ll need to have read all the entries to make valid comparisons and judgments about PEOPLE’S PILOT 2019 in relation to previous runnings of the competition, but I do have a couple of things to add in response to some questions that have come up.

So:

For those who’ve been wondering about the gender of the writers who have entered, here’s what I’ve got:

  • Comedy Series Writers
    Women 27%
    Men 73%
  • Drama Series Writers
    Women 30%
    Men 70%

Note:

The PP doesn’t ask for gender and probably would be breaking the law if it did, which means that the above figures have to be regarded with caution because they are only estimates based on pretty darn flimsy data – the writers’ names and my probably naive interpretation of the gender they usually are used for.

Similarly, I have no idea of how many of the entrants have eschewed binary gender identification and regard themselves in another way altogether.

In other words, my apologies for what seems to me to be a most inadequate response.

While we’re on the subject, I have to say that the percentage of women entrants has surprised me. I always assumed it was much higher because over the 5+ years I’ve been holding Larry Brody’s Master Class a full 64% of the students have been women.

Why do women account for almost 2/3 of my students yet less than 1/3 of the contest entrants? Anyone out there want to venture a guess? You can get in touch with me via the comments or email me at larrybrody@tvwriter.com .

For those who’ve been wondering about how successful TVWriter™s attempt to encourage Web Series and Audio Fiction Series, here are the stats:

  • Web Series Entries
    5% of the total entries were marked and paid for as web series.
  • Audio Fiction Series:
    2% of the total entries were marked and paid for as audio fiction series.
  1. Note:

I think this low turnout sucks and take full responsibility for it. I’m open to any and all suggestions for how to improve the “intended-for-emedia-response in next year’s PP.

Well, that’s not quite accurate. I’m open to more than suggestions. I’m ready and willing to accept genuine help in getting more of those involved in what I think of as next-gen TV into PEOPLE’S PILOT 2020.

If you’re interested in getting involved in this aspect of the competition – or any other aspect of it for that matter – by all means leave a comment below or email me at larrybrody@tvwriter.com .

Thanks to everyone who has been interested and excited enough to get in touch with me about the contest and, of course, to all those who entered.

LYMI

lboldwriter

 

 

LB

Author: LB

A legendary figure in the television writing and production world with a career going back to the late ’60s, Larry Brody has written and produced hundreds of hours of American and worldwide television and is a consultant to production companies and networks in the U.S. and abroad . Shows written or produced by Brody have won several awards including - yes, it's true - Emmys, Writers Guild Awards, and the Humanitas Award.

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